Adobe announced a raft of new features, along with improved AI creation tools and an initiative to verify who actually created an image or other creative work.
Picking a high-quality computer monitor for video editing is surprisingly confusing. Here is Larry Jordan’s explanation of what specs you need to look for, which you can ignore, and what criteria he uses for picking computer and video monitors.
In this illustrated tutorial, learn how to animate multiple elements in the same graphic using Adobe Premiere Pro.
Which combination of hard disk or SSD storage provides the fastest speed or highest capacity for video editing? This illustrated tutorial will answer these questions, plus provide a spreadsheet you can use to test your own numbers. This works for Adobe Premiere Pro, DaVinci Resolve and Apple Final Cut Pro editors.
Sometime in October, Apple will release the latest version of the macOS: Ventura. First announced at the 2022 WWDC in June this version, like every macOS update, features a variety of new features and apps. Still, while this is exciting, …
August is vacation time. Still, over these five weeks, we published 19 tutorials and product reviews. Here’s a summary of everything we released this month. Something to look through during the holiday weekend.
Last week, I asked video editors to share how they organize and manage their media for video editing. Here’s what they told me.
Last week, Adobe released a detailed Premiere Pro Workflow Guide for Episodic and Feature film Editing. This week, I spoke with Morgan Prygrocki, at Adobe, about typical mistakes video editors make and how this Guide can help.
One of the smaller changes in the June update to Premiere Pro is also one that can save you a bunch of time: Adobe revised Copy/Paste. Here’s what you need to know.
I think these four skills are essential for every video editor to master. I also think it is impossible say that one is more important than the other, because if any one is missing, the project suffers.
One of our favorite – and most wide-ranging – sessions returns with “Ask Larry Anything!” Presented by Larry Jordan, this is a free-form conversation based on questions submitted by viewers. In this short video, Larry has a conversation about computer performance in the real-world, specifically for video editing.
One of our favorite – and most wide-ranging – sessions returns with “Ask Larry Anything!” Presented by Larry Jordan, this is a free-form conversation based on questions submitted by viewers. In this short video, Larry talks about Mac obsolescence and whether the new Apple silicon computers make older systems obsolete.
One of our favorite – and most wide-ranging – sessions returns with “Ask Larry Anything!” Presented by Larry Jordan, this is a free-form conversation based on questions submitted by viewers. In this short video, Larry answers Simone’s question about scanning photographs for digital video.
The TourBox is a small control surface for just about any Windows or Mac application – with a special emphasis on media creation and editing. It is well-built with a very well-designed software interface. There’s only one small problem…
Larry Jordan shows how to optimize preference settings for Adobe Premiere Pro 2022. Feel free to share your personal choices in the comments.
The Apple silicon version of Premiere does not support AAF export – yet. But the Intel version does. Here’s the workaround to get AAF export working in both versions of Premiere.
Particle Illusion is a free, powerful particle generator that runs on both Macs and Windows with hundreds of presets for 2D or 3D particles. In this short video tutorial, Larry Jordan shows how to get started using it.
BorisFX Continuum is the “Swiss Army Knife for visual effects for video editors and motion graphics creatives. In this short video tutorial Larry Jordan shows how to create a complex effect using blurs, color effects and multiple masks, plus Mocha mask tracking in BorisFX Continuum 2022.5 and Final Cut Pro.
BorisFX Continuum is the “Swiss Army Knife for visual effects for video editors and motion graphics creatives. In this short video tutorial Larry Jordan shows how to create a simple blur effect using masks and Mocha mask tracking in BorisFX Continuum 2022.5 in Final Cut Pro.
BorisFX Continuum is the “Swiss Army Knife for visual effects for video editors and motion graphics creatives. In this short video tutorial Larry Jordan shows how to create a simple “Day-for-Night” color effect using Continuum in Final Cut Pro.
Integrating vertical video into a horizontal video timeline is increasingly common. Here’s an illustrated tutorial on how to do it using both Final Cut Pro and Adobe Premiere Pro.
Machine learning is a fact of life in video editing today, though its impact is often a two-edged sword. In this guest post, Jourdan Aldredge looks at Adobe Sensei, Adobe’s AI tool for video editors.
MediaInfo, published by MediaArea, is a convenient unified display of the most relevant technical data for video and audio files. It is free, available through the MacApp store. Here’s a detailed look at this useful utility.
Adobe added new features to their proxy workflow. However, you need to make sure permissions are set correctly, and, even then, they are hard to see. Here’s how this new feature works.
Adobe added two significant new workspaces to Adobe Premiere Pro (v22.5) to simplify editing projects on single monitors and laptops.
This week, Adobe updated Premiere Pro to version 22.5. Here’s a list of the new features, along with a link for more details.
Video bit depth makes a difference when you are creating effects, color grading or working with HDR material. Here’s an explanation of what bit depth is and when to care about it.
In the 22.3.1 update to Premiere Pro, Adobe added two features that significantly speed exports: Smart Render and the Export Preset Manager. This illustrated tutorial shows how they work.
This tutorial compares the export speed on an Apple silicon MacBook Pro of Apple Final Cut Pro, Adobe Premiere Pro and DaVinci Resolve; along with how effectively they used CPU and GPU systems.The results surprised me – none of them maxed out the system!
Adobe updated their video applications last week. Here are the new features, with links to learn more.
Almost all digital video cameras shoot video levels with excessive levels for any project destined for broadcast, cable, streaming or digital cinema. The highlights are too bright and the shadows are too dark. Here are two ways to control them.
Why does Apple Final Cut Pro only use Apple silicon efficiency cores when exporting? And which cores do Adobe Premiere Pro and DaVinci Resolve use? Here’s a comparison between the three.
Recently, Adobe updated Premiere Pro to version 22.3.1. In this short video tutorial, Larry Jordan shows how to use the new Quick Export and Export Preset Manager to quickly convert your Premiere sequence into finished media.
Recently, Adobe updated Premiere Pro to version 22.3.1. In this short video tutorial, Larry Jordan shows how to use the new Import panel to create a new project and import media clips into Premiere.
New in the 22.3 released of Premiere Pro, is the ability to show or hide markers by color. This works for both timeline and clip markers, but not both at the same time. Here’s an illustrated tutorial showing how.
Here are almost twenty little-known keyboard shortcuts for Adobe Premiere Pro that make timeline editing easier.
Adobe morphed Auto Tone into Auto Color with the 22.3 update to Premiere Pro. The new Auto Color works, but it doesn’t work well. Here are some examples that illustrate this point.
Adobe changed the Premier Pro export interface — cleaning it up without removing any of the power or flexibility. Here’s a tutorial with a look at the new changes.
With the 22.3 release of Adobe Premiere Pro, Adobe created a faster and easier way to create a new project and import media into it. Here’s how it works.
Adobe updated Premiere Pro and After Effects with a flock of new features, but the headline feature is the integration of Frame.io. Here are the details on all the updates.
This is an excerpt of a recent PowerUP webinar called “Ask Larry Anything.” In this short tutorial, Larry Jordan illustrates why scaling video larger than 100% creates blurry images. This is also called “up-resing” or “up-scaling.”
This is an excerpt of a recent PowerUP webinar called “Ask Larry Anything.” In this short tutorial, Larry Jordan illustrates what video interlacing is, why deinterlacing is necessary and why deinterlacing always degrades video image quality.
This is an excerpt of a recent PowerUP webinar called “Ask Larry Anything.” In this short tutorial, Larry Jordan explains what makes video frame rate conversions so difficult.
Watching world events reminds us that we are seeing the power of video play out in the real world to effect change.
Another new feature that Adobe added recently to Premiere is text gradients. These are easy to create, but a key switch you need to access this feature is somewhat hidden. Here’s an illustrated tutorial on how this works.
One of the newer features added to Premiere Pro is the ability to gang, or connect, the Program Monitor to one of two different monitor panels. This allows you to see two moving images at once. Here’s how this works.
The New Mac Studio computer is stunning. But, is it for you? Here’s what you need to know to configure it for video editing – yet save money at the same time.
Like many, I get confused about the differences between HDR, RAW, HDR, Log, LUT, and 10-bit media. All too often, the explanations are deeply technical – and confusing. So, here’s an overview of what these are and how to use them.
If you’ve been wondering what the color tools in Final Cut do, or how to make them work better, this session is for you. In this short video tutorial, Larry Jordan explains the Three Rules of Color Correction and how they apply regardless of which video editing software you are using.
Remix, a new feature in Adobe Premiere Pro, shortens the length of a music clip, without making the edits obvious. Here’s a tutorial that explains how it works.
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