Last week, Adobe updated Premiere Pro to version 22.2. New features dramatically accelerate editorial workflows, including Remix, and an updated Speech to Text, which can now be used offline, generating accurate transcriptions up to 3 times faster. Here are the details.
In this article, I compare the compression speed of Apple Compressor, Adobe Media Encoder and ffWorks (ffMPEG) on an Intel system versus a new M1 MacBook Pro. Along the way we also discover that speed is not dependent upon how hard the CPUs are working.
The Video Limiter, in Adobe Premiere Pro, protects excessive video levels for broadcast, streaming, cable and DVD projects. Here’s how it works.
This is a very fast trick I recently learned which can save a ton of time when you need to change fonts in one or more titles in an Adobe Premiere Pro sequence or project.
When a clip is added to the timeline, if the frame size of the clip doesn’t match the frame size of the sequence, Premiere will scale it to fill as much of the frame as possible. In almost all cases, this is a bad choice. Here’s why.
Here’s a list of the top 20 most-read media and video editing tutorials on Larry Jordan’s website from Jan. 1, 2021 to Dec. 31, 2021.
In it’s latest release (Dec. 2021), Adobe added some some, but significant, features to Premiere Pro that make text easier to find and graphics more flexible. Here’s an illustrated tutorial on what these new features are and how they work.
There are many reasons to send a project from Premiere Pro to DaVinci Resolve. Fortunately, it’s fairly easy to move projects between apps. Easy, but there are a lot of steps. Here’s how it works.
This morning, Adobe announced new features and updates for Premiere Pro, Character Animator and After Effects. Here are the details.
While human skin gray-scale and saturation values can vary by individual, skin color values are remarkably consistent. Here’s an illustrated tutorial on how to set skin color values to fix color problems and make on-camera talent look “normal.” This applies to all video editing software.
Most technical problems with media editing are often the result of insufficient bandwidth caused by bottlenecks in the media, the operating system, software, or hardware. This looks at each in detail to provide ideas to get your system working better.
Apple introduced new security technology with M1 Macs that affects 3rd-party RAIDs, hard disk and other external gear frequently used by professionals. Here’s what it is and how it affects you.
Apple brags about how the new M1 Max CPU can play multiple streams of 8K ProRes video in real-time. But that’s using a fully-loaded system. I wondered: How well does a new MacBook Pro with an M1 Pro CPU handle …
Remix, a new feature in the beta version of Adobe Premiere and an existing feature in Audition, adjusts the duration of existing music to meet whatever shorter duration you provide. While not as flexible as Smartsound, this is a very handy tool. Here’s how it works.
Recently, Adobe updated Premiere Pro to version 22 where one of the big new features is called: “Simplify Sequences.” In this short video tutorial, Larry Jordan shows how this feature works, the options it has and when it makes sense to use it.
Recently, Adobe updated Premiere Pro to version 22, where one of the new features is very mysterious – a hidden keyboard shortcut that can save you time – if only you can find it. Larry Jordan shows what this does, where it is and how to turn it on.
Accusonus has been improving audio for a long time. Regardless of where you edit your audio, ERA 6 can make it sound better. Here’s a look at the new ERA 6 bundle with automatic, customizable audio repair.
Yes, the new M1 MacBook Pro is very, very fast. But, the M1 did not win every race when tested against a 2013 MacBook Pro and a 2017 iMac. These twelve tests are a good comparison between performance benchmarks and real-world media processing of the improvements you can expect if you upgrade to these new systems.
When you need to get the best streaming video possible – for Mac or Windows, live or recorded – here is the gear you need, links to find it and instructions on how to get it all to work.
New to the latest (v22) version of Adobe Premiere Pro is “Simplify Sequence.” This allows you to remove empty tracks, disable clips with specific labels, and remove markers, or other user-specified elements. Larry Jordan illustrates how this works in this tutorial.
I’m a keyboard shortcut junkie. Many editors can edit happily and well using only the mouse. I am not one of them. Here’s a list of 50 hidden keyboard shortcuts that make editing, trimming and navigation in Adobe Premiere Pro a LOT faster.
Last week, as part of Adobe MAX, Adobe released a flock of new features and improvements to Premiere Pro. Here’s a summary of what’s new.
Recently, Apple updated Final Cut Pro to version 10.6 where one of the big new features is object tracking. In this video tutorial, Larry Jordan shows how this works and how it compares to the same feature in Adobe Premiere Pro.
Apple released new MacBook Pro laptops featuring high-performance Apple silicon chips. Given all the options, here are Larry Jordan’s recommendations for the best system for your budget.
“Ask Larry Anything,” is a free-form conversation about subjects related to editing. In this short video tutorial, Larry Jordan explains what an LTO tape drive is, the differences between LTO generations, recommendations for LTO software and how media creators can use this technology to safely archive their media and projects for decades.
Adobe introduces Auto Tone in the beta version of Adobe Premiere Pro. Here’s a description of what this new automatic color correction tool does.
The revised speech-to-text transcription and caption workflow in Adobe Premiere Pro is fast, easy to use and, now. extremely useful. If you haven’t looked at the new options for Speech-to-Text in Adobe Premiere Pro, now is a great time to start. This one feature can save you hours.
“Ask Larry Anything,” is a free-form conversation about, well, anything you want to ask. In this short video tutorial, Larry Jordan shows how to export captions from YouTube, then what you need to do to convert them for import into Adobe Premiere.
“Ask Larry Anything,” is a free-form conversation about, well, anything you want to ask. In this short video tutorial, Larry Jordan demos the new Speech-to-Text transcript and caption workflow options in Adobe Premiere Pro.
With the July, 2021, update, Premiere Pro now supports text with multiple strokes and shadows. If you are creating commercials, action comics or anything where “eye-catching” is a job description, you’re gonna have fun with this!
Adobe adds speech-to-text and native M1 Mac support to the July, 2021, version of Premiere Pro. Here’s the full list of changes.
Here’s how to connect camera source files to proxy media in Adobe Premiere Pro, when the proxies were created outside of Premiere and the master files arrived after you started editing with the proxy files.
Here is a variety of online techniques to get you and your Adobe Premiere Pro system back up and running quickly.
Your Mac system is acting flakey. Here are a variety of tests and trouble-shooting techniques you can use to get your system and running. (This includes a special section on trouble-shooting for media editors.)
Seagate and Axle.ai partner to provide “Smarter Media” – edge-to-cloud mass storage with a media asset management front end. This new service, named “Lyve” is designed to provide cost effective smart media solutions for real world applications.
Last week, Adobe released a new beta version of Premiere Pro showcasing new import and export features and, more importantly, point the direction Adobe plans to take the software. Here’s what’s new.
Fonts are the easiest way to telegraph an emotion – and they don’t require any design skills from us. In this short video tutorial, Larry Jordan illustrates the importance of readability – and other factors – when choosing fonts for a video project.
Fonts are the easiest way to telegraph an emotion – and they don’t require any design skills from us. In this short video tutorial, Larry Jordan illustrates several font design tips to help you choose which fonts to use in your next video project.
Fonts are the easiest way to telegraph an emotion – and they don’t require any design skills from us. In this short video tutorial, Larry Jordan demonstrates three font adjustment techniques that can make on-screen video text look better. While this uses Photoshop, we can actually do this in most applications on Windows or Mac.
DPI (Dots per Inch) is a measure of image resolution. It also confuses a lot of people. Here’s an illustrated guide to where DPI matters, where it does not, and why images look bad when you scale them larger.
New Pfieffer Report testing confirms Adobe software, running natively on M1 Macs, is far, FAR faster than the same software running on Intel Macs. Speeds are almost double. Read the details here.
With the May, 2021, update, Adobe improved captioning in Premiere Pro. New features include improved colors and more flexible trimming. This tutorial illustrates these.
Voice Changer, from Accusonus, is a plug-in for most popular NLEs that creates voice effects from robot to dragon. It is fast, easy to use and a fascinating sound design tool to bring the sounds in your imagination to life.
A fit-to-fill edit combines an overwrite edit with a playback speed change. It takes a marked clip in the Source monitor, then changes its speed to fit a specified duration in the timeline. Here’s how to create it in Premiere Pro.
Changing the playback speed of a clip is all the rage in video today. In this short video tutorial, Larry Jordan shows how to create glossy slow motion by conforming a high-frame-rate clip to match the project speed in Adobe Premiere Pro.
Changing the playback speed of a clip is all the rage in video today. In this short video tutorial, Larry Jordan shows how to create a fit-to-fill edit, where the speed of the inserted clip is altered to match the duration you need it to fill in the Timeline in Adobe Premiere Pro.
New with the May, 2021, update to both Premiere Pro and Audition is the Loudness Meter. The Loudness Meter displays average audio levels on an instant-by-instant basis and complements the Loudness Radar. Here’s how to use it.
New with the May, 2021, update to Adobe Premiere Pro, is the ability to add gradients to text. Here’s how this technique works.
New with Adobe Premiere Pro is the ability replace media in a motion graphics template. Here’s how to add media to a template, then change where that media starts playback.
Adobe updated both Audition and Premiere Pro in their May, 2021, release. Here’s what’s new.
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