One of the highlight features in the latest version of Adobe Premiere Pro is the Properties panel. Here’s an illustrated tutorial on how it works.
Audio normalization makes one or more selected audio clips louder, without creating distortion, by raising the gain (audio level) of each clip such that the loudest portion of each clip does not exceed the level that you specify. This tutorial explains when to use it and when you should not.
Templates are simply customized project files for Premiere or Audition that are saved to a specific location, then accessed whenever you create a new project. These can significantly speed your workflow when you are creating similar projects over and over.
The new context-aware Properties Panel highlights the new features in the October 2024 release of Adobe Premiere Pro, showcased at the recent Adobe MAX conference. Here’s a list of what’s new.
Here’s a detailed look at how I recorded my interviews at the NAB Show New York. This goes into detail in terms of how I edited, how clips were named and the audio effects and settings I used.
There are several reasons why you might want to send a project from Premiere Pro to DaVinci Resolve: For example, to create more complex effects in Fusion or more detailed color correction on the Color page. If you do, you also need to know how to get those files there and back.
I was thinking about multicams this morning. I had just finished editing my DaVinci Resolve Multicam webinar, so multicam editing was on my mind. I was pondering the differences between multicam in the three NLEs I know the best – Final Cut Pro, Premiere Pro and DaVinci Resolve. It probably won’t surprise you that the answer is: “It depends…”
Captioneer is a Premiere Pro extension that creates animated captions directly in your timeline using .mogrt files which are easily modified by an editor. Here’s an interview with its developer: Nic Dean.
This was a fun project! I decided to compare how accurately Apple Final Cut Pro, Adobe Premiere Pro and DaVinci Resolve handle tracking shape masks used for color correction. I also included movies so you can judge the results for …
Guest post: Dr. Imed Bouchrika, PhD and BSc, is a Computer Science professor from the University of Southampton, UK, who specializes in eLearning, image processing, and biometrics. (Here are Larry’s rules for guest posts.) Implementing efficient export workflows can save …
This morning, Adobe updated Premiere Pro, Audition, Media Encoder, Bridge and their Camera Raw formats. Here’s what’s new, with links to learn more.
Saturation and vibrance control the amount of color in an image. What’s the difference between them and which should you use? This tutorial shows how to use them for video.
AI is causing seismic tremors of fear and loathing throughout the entire creative community. In this short snippet, Sam Bogoch, Founder/CEO of Axle AI, describes what media creators can do to protect their work. There are real threats and real opportunities – and the pace is only going to speed up.
AI is causing seismic tremors of fear and loathing throughout the entire creative community. In this short snippet, Sam Bogoch, Founder/CEO of Axle AI, explains to Larry Jordan whether it’s possible for AI to be trained without violating copyrights or stealing the creative work of others?
AI is causing seismic tremors of fear and loathing throughout the entire creative community. In this short snippet, Sam Bogoch, Founder/CEO of Axle AI, shares his thoughts with Larry Jordan on whether there are any applications where AI can enable us to get our work done, as opposed to replace us?
Artificial intelligence is causing seismic tremors of fear and loathing throughout the entire creative community. So this week I decided to find out what’s real, what’s hype, and what we can do about it by interviewing Sam Bogoch, Founder/CEO of Axle AI.
For professional media creators, the landscape is increasingly complex and demanding. The integration of advanced technologies changed everything. Now, Artificial Intelligence (AI) and cloud computing are not just optional extras but essential tools for staying competitive.
A question I get all the time is: “How do I import just a section of a clip? The original is really long and I don’t want to waste disk space.”
Regardless of the video editing software (NLE) you use, the answer is not initially encouraging: “You can’t. Here’s why.
Fx badges are hidden in plain sight in every Premiere Pro clip. But, what you may not know is how much they can speed adding and modifying audio and video effects. In this short video, Larry Jordan shows where these are, how they work and the tricks you can put them through.
Adobe continues making video proxies easier to create and more useful. In this short video, Larry Jordan explains how to create proxies and the new custom watermark feature.
Premier Pro stole a very useful audio technique from Audition and added interactive fade handles to every audio clip. In this short video, Larry Jordan illustrates what these are, how they work and when to use them.
Captions are not titles, though both display text to the screen. In this short video, Larry Jordan explains the principle reasons not to worry about formatting captions.
Here are five keyboard shortcuts that help make trimming clips in Premiere fly. (Plus an “extra speedy bonus!”)
Adobe added a variety of new features to enhance markers and text editing in two recent releases. This includes better searches, smoother edits and faster performance. Larry Jordan illustrates these new features in this short video.
Adobe updated text and graphic styles in the March, 2024, update. A “style” is a format, like a template, that is applied to text or captions. This tutorial explains how they work.
Looking for reputable video or audio plugins that “the pro’s use?” Recently Larry Jordan surveyed his audience to learn the answer to that question. Here are the results.
Markers are an invaluable navigation and commenting aid in Premiere. My problem with markers is that I can never put them where I want them. Or find them, once I’ve got them put. Fortunately, Adobe added some new features that make working with markers in Premiere Pro a lot easier.
It is always good to know your audience. So, in July, 2024, I created a survey to learn more about the readers of my “Edit Smarter” weekly newsletter – and, more generally, the tools used by professional media creators. Here are key results.
Regardless of which NLE you use for media editing, you’ve probably suffered through the hassle of relinking media. This tutorial explains what caused it, how to fix it, and how to prevent it in the future.
Last week, news broke of a change to Adobe’s Terms and Conditions for all Creative Cloud applications granting Adobe a ‘non-exclusive, worldwide, royalty-free sublicensable, license, to use, reproduce, publicly display, distribute, modify, create derivative works based on, publicly perform, and translate the Content.’ What does this mean for the safety of your data?
Adobe announced new versions of Premiere Pro, Media Encoder, and Audition at the NAB Show in April. Last week, they released them. Here’s what’s new.
Understanding what video scopes tell us about our images is essential to creating great looking images; regardless of which video editing software you are using. In this article, I explain the basics of the waveform monitor and vectorscope, how to read them and how they affect color correction.
The TourBox Elite (and its sister TourBox Lite) are well-built control surfaces designed to make using creative applications faster and easier. The hardware will last for years. But their tutorials and “Getting Started” documentation need a lot of work.
When I was editing my recent NAB Show interviews, I knew that I wanted to create a transcript of the video along with captions. When editing was done, I used Adobe Premiere Pro to transcribe the finished project. Here’s what I learned in the process.
Adobe released a new version of Premiere Pro (v24.3) at the 2024 NAB Show last week. Here’s what’s new, along with a list of all their bug fixes.
AI is having a dramatic impact on media. Larry Jordan interviews key industry leaders at the 2024 NAB Show to learn their opinions on the impact of AI and machine learning. Their answers ranged from fear to hope. Here’s a transcript of the video.
AI is having a dramatic impact on media. Larry Jordan interviews key industry leaders at the 2024 NAB Show to learn their opinions on the impact of AI and machine learning. Their answers ranged from fear to hope.
Michael Cioni, founder of Strada, premieres Strada, an AI-assisted, cloud-based, subscription media search and management tool which enables video editors to do more – faster.
A video interview with Francis Crossman, Principal Product Manager for Premiere Pro at Adobe Systems, on their new announcements at the 2024 NAB Show, along with comments on the impact of AI..
Here’s a list of the companies we are interviewing at the 2024 NAB Show along with links to watch them.
Last week, I asked readers to write about web services they found useful in video editing. Here are two reports on what works.
A secondary color correction adjusts the color of something in the frame – like changing the color of a shirt. In this short video, Larry Jordan shows how to create these in Premiere Pro.
One of the harder tasks in color grading is changing the look of a clip when the lighting color itself changes during the shot. In this short video, Larry Jordan shows how to use color keyframes to change the color grade during a shot using Premiere Pro.
LUTs are a color lookup table. In this short video, Larry Jordan explains what LUTs are, how to use them to change the color of your clips, and how to properly set the new Color Settings panel in Premiere Pro.
In today’s world of digital video, the Broadcast Safe effect (or Video Limiter in Premiere) is gathering dust in a corner. But, there is a BIG benefit to using it when you have a lighting problem to solve, as this tutorial illustrates. This trick works for all the major NLEs.
The shift towards more complex projects requires reevaluating rendering solutions. Integrating cloud-based render farms into VFX workflows requires careful planning and execution. Here’s a detailed guide to ensure a successful transition.
Just because your hardware is fast, does not mean that your software is optimized to take advantage of that speed. Premiere is fast. Your hardware is faster. Here’s a detailed look at real-world editing on Premiere Pro.
8K is coming. Not today and not tomorrow. But sooner than you expect. To get ready, you should first look to upgrade your storage, then, once it is both big and fast enough, upgrade your computer. Here’s what you need to know.
Here are the settings you need to use when sending a file from Adobe Premiere Pro to Avid Pro Tools for audio mixing.
When it comes to removing backgrounds using a green-screen key, not all video codecs create the same image quality. Here’s what you need to know to shoot and edit the cleanest keys.
