The G-DRIVE ArmorATD is a solid value for a reasonably-rugged, medium-capacity, portable hard drive. It isn’t the fastest, it isn’t the most rugged, but it is made by a reliable company that should meet the needs of anyone needing portable storage.
NAB announced the winners of their third annual “Product of the Year” awards, this time for 2021. The awards recognize significant and promising new products and technologies. Here’s the list.
When you need to get the best streaming video possible – for Mac or Windows, live or recorded – here is the gear you need, links to find it and instructions on how to get it all to work.
Apple released new MacBook Pro laptops featuring high-performance Apple silicon chips. Given all the options, here are Larry Jordan’s recommendations for the best system for your budget.
The latest version of LTO – generation 9 – is now available. Storing 18 TB / tape, and archiving faster than generation 8, here’s a quick overview of the new version of archiving technology.
By default, YouTube takes down any video that uses music challenged for copyright infringement. The problem is that many of those charges are fake. Even when filmmakers purchase the correct music rights, YouTube makes it very, very difficult to overcome a copyright objection. Anthony Fleming has a first-hand report.
October is Cybersecurity Awareness Month. While VPNs are used extensively, they may not be as secure as you think. DH2i has something better.
An overview of opportunities for financing film marketing budgets, provided by Freelance Video Collective.
Seagate and Axle.ai partner to provide “Smarter Media” – edge-to-cloud mass storage with a media asset management front end. This new service, named “Lyve” is designed to provide cost effective smart media solutions for real world applications.
New Pfieffer Report testing confirms Adobe software, running natively on M1 Macs, is far, FAR faster than the same software running on Intel Macs. Speeds are almost double. Read the details here.
Atomos today announced the big brother to their 5″ Shinobi camera monitor: the Shinobi 7. Available in June for $699, here are the details – and a link.
Business for media professionals seems to be coming out of the pandemic – but stresses such as lower budgets and insufficient work are significant obstacles for many. Here are the results of my survey, taken May, 2021.
Any M1 system is impressive, when measured in performance. What these new 24″ iMacs lack, though, is more ports, more RAM and access to 10 Gb Ethernet. These first M1 iMac systems are targeted at consumers and general computer users. While they can be used for video editing – even serious video editing – be sure you can work with their limitations before ordering a system.
Maxon announces new versions of Cinema 4D, Redshift for Mac and Moves by Maxon. They also premiere a new corporate logo.
Simon Says, an AI transcription and video assembly platform for video professionals, just released a workflow extension panel for Adobe Premiere Pro. While Simon Says has supported web-based transcription for several years, the news here is the Premiere extension. This …
When it comes to updating the operating system on my main production Mac, I’m a laggard. This is by intent. Still, I finally decided it was time to upgrade. Here’s what I learned in the process.
This week, Signiant announced that it had acquired Lesspain Software, best known for it’s media asset management software “Kyno.” To learn more, I sent questions to Margaret Craig, CEO of Signiant. Here is our interview.
Most of us have heard of Apple’s transition from Intel CPUs to its own Apple silicon. But these new systems upend the established rules for how to configure a computer system for media editing. Here’s what you need to know about the new M1 SoC from Apple.
Every editor has their own list of features that they’d like Apple to implement. I’m no different. Over the years, I’ve been struck by five imponderable missing features in Final Cut that, try as I might, I can’t get Apple to explain why they don’t exist. Here’s my list.
“Should you upgrade?” is the wrong question. Here is a better answer on when to upgrade to Big Sur – along with links to help your transition go smoothly.
Apple’s new M1 SoC chips launched to incredible reviews – but the best is still to come, especially for media creators. Read Larry Jordan’s thoughts on this new technology.
OWC releases a new 4-port Thunderbolt 3 dock that provides more Thunderbolt ports to any Mac with Thunderbolt 3 and running Big Sur. This is actually a big deal. Here are my thoughts.
I first saw these 10 inspirational filmmaking tips from Spike Lee posted to LinkedIn.com. I don’t know who compiled them, but I thought they were deeply insightful. and worth sharing with you.
Media professionals should wait on upgrading any mission-critical systems to Big Sur until there’s time for developers to test and upgrade their software.
Thunderbolt 4 is already on the market – and it isn’t what you expect. What does it mean for Mac and PC users? Is our Thunderbolt 3 gear out-of-date? Larry Jordan interviews Larry O’Connor, Founder/CEO of OWC, a leading Thunderbolt manufacturer, to learn more.
Easy to connect, easy to use and extremely well-built. The OWC Thunderbolt 3 10G Ethernet Adapter works exactly as you would expect. And what higher praise is there?
The Mercury Pro LTO tape system is a well-constructed, high-speed and easy to use tape archive system for media creators. Bundled with myLTO software, it can get new users archiving quickly, yet fully support more demanding archive applications.
The answer is “Maybe.” This detailed article explains the fundamentals of high-speed networking, illustrates how to connect a Mac to a 10G Ethernet network, then measures performance between 1G and 10G connections, with a focus on video editing.
Josh asked me to explain the pros and cons of using internal, direct-attached, and network-attached storage for media editing. Here’s an overview, along with recommendations on what you should consider for your own system.
Recently, NewBlueFX launched: NewBlue Stream, a new product designed for live streaming. In this interview with CEO Todor Fay, we learn more about the product, why they created it and who it is designed for. This is fascinating.
I’ve spent a lot of time this week thinking about how to improve the speed and responsiveness of my storage. Here’s a relatively inexpensive way to improve the responsiveness of a server, especially for smaller workgroups. When it comes to …
This article details what I learned trying to access often corrupted digital images that are 15 – 25 years old. It illustrates the software I use to recover images, video codecs that are obsolete and techniques I used to preserve media for the future. This covers AppleWorks, PICT, PhotoCD, JPEG, TIFF, audio, and video media.
An interview with Maury Rogow, CEO of RIP Media Group, on what they are doing to find work and stay creative during these difficult times.
The brand-new ArmorLock SSD from G-Technology is fast, secure and rugged. But, it has problems when trying to add multiple secure users to the drive. It’s a great idea that needs tweaking.
This morning, Frame.io announced a new version and several new features, along with updated support for Final Cut Pro X 10.4.9, also released today. Here are the details.
Configuring a 2020 27″ iMac for video editing, with recommendations for system components, along with a discussion of this system vs. new Apple silicon gear.
In this short video tutorial, Larry Jordan answers a question about how to catalog and find media files, this also features demos of Image Chest and Kyno software.
Adam Wilt shares his thoughts on why Blackmagic Design released a camera recording 12K frame sizes. And, it isn’t the reason you expect.
Apple Silicon – new CPUs from Apple – were announced at WWDC 2020. Here’s Larry Jordan’s take on what this new hardware means to media creators.
Content ‘Velocity’ Is More Important Than Quality. Larry Jordan interviews Jess Hartmann, CEO, ProMax, about changes in video post-production as we emerge from the pandemic.
An interview with Mark Harrison, managing director of DPP, on what the near-term future holds for restarting the media industry after the COVID-19 pandemic.
Apple is discontinuing KEXTS in a future version of the macOS. Here’s what you need to know now.
Avid releases two guides for working at home, along with free licenses students, educators and working professionals. Read the details here.
Live web streaming ranges from the very simple to the highly complex. The key factor is audio. Here’s a summary of options, plus a ton of links to help you do your own research.
Adobe published a guide to working remotely using Creative Cloud tools. Here’s the information and a link.
Thoughtful reflections from Bill Goetz, news videographer, on how change changes us.
Everyone around us is scared, isolated and feeding on rumors. In spite of it all, there’s hope. And we have the technology and the skills to provide it. Ask your clients what you can do to help. Here are some ideas.
DPP today released a new research report exploring how production companies are now using the Cloud as a key production tool. Here are the details of what they found.
Blurs and mosaics are no longer effective in masking the identity of an on-screen speaker. Here’s what you need to know.
A review of “The Filmmaker’s Handbook” by Steven Ascher and Edward Pincus.
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