Blog Archives

In it’s latest release (Dec. 2021), Adobe added some some, but significant, features to Premiere Pro that make text easier to find and graphics more flexible. Here’s an illustrated tutorial on what these new features are and how they work.

Posted on by Larry

The revised speech-to-text transcription and caption workflow in Adobe Premiere Pro is fast, easy to use and, now. extremely useful. If you haven’t looked at the new options for Speech-to-Text in Adobe Premiere Pro, now is a great time to start. This one feature can save you hours.

Posted on by Larry

“Ask Larry Anything,” is a free-form conversation about, well, anything you want to ask. In this short video tutorial, Larry Jordan shows how to export captions from YouTube, then what you need to do to convert them for import into Adobe Premiere.

Posted on by Larry

“Ask Larry Anything,” is a free-form conversation about, well, anything you want to ask. In this short video tutorial, Larry Jordan demos the new Speech-to-Text transcript and caption workflow options in Adobe Premiere Pro.

Posted on by Larry

With the July, 2021, update, Premiere Pro now supports text with multiple strokes and shadows. If you are creating commercials, action comics or anything where “eye-catching” is a job description, you’re gonna have fun with this!

Posted on by Larry

Adobe adds speech-to-text and native M1 Mac support to the July, 2021, version of Premiere Pro. Here’s the full list of changes.

Posted on by Larry

Here’s another technique that I use all the time – creating highly-flexible custom Final Cut Pro title templates in Motion that I use and modify in all my FCP projects. This is fast, easy and saves TONS of time formatting and positioning titles.

Posted on by Larry

These three custom shortcuts simplify and speed several repetitive aspects of my edit and I want to share them to save you time in your edits as well.

Posted on by Larry

Fonts are the easiest way to telegraph an emotion – and they don’t require any design skills from us. In this short video tutorial, Larry Jordan illustrates the importance of readability – and other factors – when choosing fonts for a video project.

Posted on by Larry

Fonts are the easiest way to telegraph an emotion – and they don’t require any design skills from us. In this short video tutorial, Larry Jordan illustrates several font design tips to help you choose which fonts to use in your next video project.

Posted on by Larry

Fonts are the easiest way to telegraph an emotion – and they don’t require any design skills from us. In this short video tutorial, Larry Jordan demonstrates three font adjustment techniques that can make on-screen video text look better. While this uses Photoshop, we can actually do this in most applications on Windows or Mac.

Posted on by Larry

New with the May, 2021, update to Adobe Premiere Pro, is the ability to add gradients to text. Here’s how this technique works.

Posted on by Larry

“Ask Larry Anything!” is a free-form conversation about technical questions of interest to video editors. In this short video tutorial, Larry Jordan shows the best way to modify and copy titles and compound clips to retain position settings in Apple Final Cut Pro.

Posted on by Larry

Here’s how to create a logo or shape in Photoshop, fill it with moving video in Final Cut Pro, then place that over a moving background. This works with video or stills and with any text, logos or shapes you care to use. Plus, it is fun to create – once you know how.

Posted on by Larry

In March, Adobe released the new 2021 versions of Premiere Pro, After Effects, Audition, Media Encoder, and the rest of their audio and video applications. In this short video tutorial, Larry Jordan shows how to use the new media replacement feature in Motion Graphic templates in Adobe Premiere Pro.

Posted on by Larry

With the release of the March, 2021, update to Premiere Pro, Adobe introduced a new caption workflow. You can create edit, stylize, and export captions and subtitles in all supported formats. Here’s an illustrated tutorial on how this new system works.

Posted on by Larry

Auto-shrink is a new feature in Apple Motion that resizes text to fit within a specific area. This is a very useful tool when creating text graphics for Apple Final Cut Pro.

When using Premiere, caption timecode for importing captions doesn’t matter. But it DOES matter when exporting. Here’s what you need to know.

Many of the titles shipped with Final Cut Pro look, um, suboptimal. Here are some tricks you can use in both Final Cut and Motion, to make your titles look a WHOLE lot better.

Posted on by Larry

Explore the capability of Apple Motion for your projects in more depth. In this short video tutorial, Larry Jordan illustrates how to create a curved path for text, then animate text along that curve using Apple Motion.

Posted on by Larry

At first blush, many of the backgrounds included with Apple Final Cut Pro are mostly unusable for text. However, when you adjust their settings – and combine them with a few well chosen effects – you’ll discover a wealth of creative options to make your projects more visually interesting. Here are six examples.

Posted on by Larry

In this short video tutorial, Larry Jordan shows how to create, import, modify and export closed captions in Apple Final Cut Pro.

Two “Top Ten” lists of tips and techniques from “The Inside Tips” for 2020. The first is by number of views, the second is by reader ratings. These cover Adobe and Apple software, along with codecs, media, visual effects and production.

Here are some text tricks that can help position and display text in eye-catching ways using Apple Final Cut Pro.

Emojis are little icons that have taken over the world. In this short video tutorial, Larry Jordan shows how to add and modify emojis in a video project using Apple Final Cut Pro.

Motion graphic templates are created in After Effects for use in Premiere. This illustrated tutorial explains how to add, find, edit, modify and delete these templates.

Posted on by Larry

Smart Conform, the new re-framing feature in Apple Final Cut Pro X 10.4.9, is a good start. It does what Apple says, but there are limitations. Here’s an illustrated tutorial showing how this works.

Posted on by Larry

Captions are not titles. Understanding the difference is key to problem-free playback of your media. Also, you don’t get to choose the caption format – your distributor does. Learn more here.

Posted on by Larry

An illustrated tutorial on how to create a scrolling credit list using Microsoft Word, Adobe Photoshop and Apple Final Cut Pro X (or Adobe Premiere).

Posted on by Larry

An illustrated, detailed tutorial on how to create an effect in Apple Motion to be used as a template inside Final Cut Pro X.

Posted on by Larry

A step-by-step tutorial, from Carleton Cole, on how to create scrolling text in Final Cut Pro X.

Posted on by Larry

In this short video demo, watch as Larry Jordan shows how format 3D text, then add a cast shadow in Apple Final Cut Pro X.

Posted on by Larry

An illustrated, step-by-step guide to creating a lecture video using video and PowerPoint/Keynote slides in Adobe Premiere Pro.

Posted on by Larry

This is an illustrated, step-by-step tutorial on how to import SRT captions into Adobe Premiere Pro, adjust them, trim them for time, export them as a stand-alone SRT file, then import them into YouTube.

Posted on by Larry

This is an illustrated, step-by-step tutorial on how to import SRT captions into Apple Final Cut Pro X, enable them, trim them for time, export them as a stand-alone SRT file, then import them into YouTube.

Posted on by Larry

In this short video demo, watch as Larry Jordan shows how to create, import and modify captions in Apple Final Cut Pro X and Adobe Premiere Pro.

Posted on by Larry

An illustrated tutorial on how to import, modify, adjust and export captions in Adobe Premiere Pro CC.

Posted on by Larry

An illustrated tutorial on how to import, adjust and export captions in Apple Final Cut Pro X.

Posted on by Larry

Simon Says On-Prem is a secure, fast, and easy-to-use transcription system that supports all major NLEs. It’s designed for editors needing a high volume of accurate transcripts with absolute security. Here are the details.

A step-by-step illustrated tutorial on how to fly through text to discover the video beneath it using Motion 5.

Posted on by Larry

An illustrated tutorial on how to use “pinning” to control the placement of text in Adobe Premiere when using Auto-Reframe.

Posted on by Larry

Emojis can now be added just about anywhere you used to add text. Here’s how to access and use them.

Posted on by Larry

A very cool way to animate text bullets in a single clip – with added bonus of adding emojis to any text element – in Apple Final Cut Pro X.

An explanation of why rolling credits are hard to display smoothly, along with suggestions on how to improve smoothness.

Posted on by Larry

Axle.ai debuts ascribe.ai, fast speech-to-text transcription through an Extension panel in Adobe Premiere Pro.

Posted on by Larry

An illustrated tutorial of using Roles in Apple Final Cut Pro X to label, organize and display titles and audio clips.

Posted on by Larry

An illustrated tutorial and review of the Simon Says workflow extension for Apple Final Cut Pro X. This is a solid product, limited by Final Cut Pro X’s interface.

Posted on by Larry

An illustrated tutorial on how to pick fonts for video projects that emphasize readability, while still conveying emotion. Plus, a range of tips for using type effectively in video projects.

Posted on by Larry

An illustrated tutorial on how to create scrolling (rolling) credits using both Final Cut Pro X and Motion 5.

Posted on by Larry

An illustrated review of SpeedScriber, by Digital Heaven, showing how it works, what it is best used for and tips to make it work faster and better.

← Older posts