Blog Archives

Archiware P5 archives, backs-up and restores data between computers and LTO tape. In this in-depth, illustrated review, Larry Jordan explains what it is, how it works, and whether it’s for you.

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An illustrated, in-depth review of Edit Ready, from divergent media. This Mac-only utility easily convert audio or video media from one format to another.

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An illustrated review by Larry Jordan of the Samsung T5 Portable SSD, with an emphasis on video editing.

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An illustrated review of SpeedScriber, by Digital Heaven, showing how it works, what it is best used for and tips to make it work faster and better.

The most popular articles published on LarryJordan.com for 2018, along with a few other key links you need to know.

These are challenging times for media professionals. But from a baker’s dozen of industry leaders, there are a lot of reasons for hope. Read their thoughts here.

This illustrated tutorial shows how to discover the codecs of your media using the Finder, QuickTime Player 7, QuickTime Player, Apple Final Cut Pro X and Adobe Premiere Pro CC 2019.

Adobe provides more details on what media codecs will be supporting in future versions of the macOS, as emailed to Larry Jordan.

Here’s is Avid’s more detailed response to Apple discontinuing support for older 32-bit media codecs, as emailed to Larry Jordan.

Blackmagic Design responds to questions about Apple discontinuing support for older media codecs in upcoming versions of the macOS with a relatively weak response.

Apple Compressor is essential to media compression. But what makes it faster? In this series of tests, discover how RAM, storage, and preference settings can make a difference – or slow things down.

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An illustrated tutorial on how to automate media compression using Apple Compressor and Droplets.

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An illustrated, detailed tutorial on how to create Watch Folders in Adobe Media Encoder, with a special emphasis on using them to monitor media stored on a server.

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A step-by-step guide on how to set up a media compression network using Apple Compressor and one or more Macs. (This is an ideal way to speed compression using Mac minis.)

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An easy way to connect an Atomos Ninja monitor/recorder to a Mac and use it as a second screen, or screen-recording system.

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Apple just released updates to Final Cut Pro X, Motion and Compressor. In this short video excerpt, Larry illustrates the new support for SRT captions in Final Cut Pro X.

A detailed comparison of compression speed and resulting file sizes for a variety of media compressed using Apple Compressor, Adobe Media Encoder and ffWorks/ffMPEG

A detailed series of tests comparing video compression speed using a high-end iMac vs. a new Mac mini running a variety of software. The results are surprising.

In this short video excerpt, Larry Jordan shows how to apply keywords automatically and manually to your clips, use them to find clips in the Browser, or create searches (called “Smart Collections”) to find clips based upon keywords.

In this brief video overview, discover how Kyno can help you find, label, manage and transcode media for Apple Final Cut Pro X and Adobe Premiere Pro CC. Hosted by Larry Jordan.

A detailed, illustrated tutorial on how to use the new Batch Export feature in Apple Final Cut Pro X v.10.4.4.

The Precision Editor is, to my mind, the best training tool for new editors struggling to learn what trimming is all about. Here’s what it is, how it works and its key limitation.

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Audio not recording? It’s a new preference in Mojave that you need to change. Here’s how.

A detailed, illustrated guide to the technical hardware and workflow of producing the Digital Production Buzz, a weekly audio podcast directed at the independent filmmaker, hosted by Larry Jordan.

A detailed, illustrated tutorial on how to move sequences from Adobe Premiere Pro CC into Apple Final Cut Pro X.

A detailed, illustrated tutorial on how to move projects and media from Apple Final Cut Pro X to Adobe Premiere Pro CC (or After Effects, Audition or FCP 7).

A detailed, practical look at working with HDR media in Apple Final Cut Pro X (v.10.4). Guest article written by James Duke.

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Codecs don’t last forever. This article details changes coming to apps and media in future versions of the macOS. This is important for anyone needed to access legacy media files.

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Search bins, in Adobe Premiere Pro CC, allow you to quickly find that needle-in-the-haystack perfect clip. And, best of all, they are dynamic, updating as you add clips or modify keywords. Here’s an illustrated tutorial showing how they work.

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Nothing causes quite the confusion in video editing as media management. Before we can even begin editing, we need to figure out what to do with all the files that were generated on set. In this short video excerpt, you’ll discover a variety of media management techniques for Apple Final Cut Pro X.

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Nothing causes quite the confusion in video editing as media management. Before we can even begin editing, we need to figure out what to do with all the files that were generated on set. In this short video excerpt, you’ll discover a variety of media management techniques for Adobe Premiere Pro CC.

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A step-by-step tutorial on how to create a disk image to preserve and protect media files recorded to a camera card.

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This video is from our periodic series called: “Ask Larry Anything.” This is a free-form conversation between Larry Jordan and viewers about, well, anything. In this short video, Larry shows how to create and display video proxy files in Adobe Premiere Pro CC.

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Answers on how QuickTime and Apple Final Cut Pro X display and process HDR video.

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Import problems with Canon XA-10 cameras into Apple Final Cut Pro X have been fixed. However, this short article details what you need to know when working with media files stored on camera cards.

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An in-depth Q&A answering questions about how to pick the right storage for video editing.

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ff-Works is a front-end to ffMPEG, a highly-regarded, open-source compression engine. When you combine ff-Works with ffMPEG, you get a very powerful, very flexible, very high quality media transcoding/compression tool. In this short video excerpt, Larry Jordan illustrates how to customize audio and video compression settings.

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ff-Works is a front-end to ffMPEG, a highly-regarded, open-source compression engine. When you combine ff-Works with ffMPEG, you get a very powerful, very flexible, very high quality media transcoding/compression tool. In this short video excerpt, Larry Jordan shows how to customize audio and video compression settings.

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An in-depth review and tutorial of ff-Works, from OSBytes, for audio and video compression.

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Roles are a very powerful, but little understood, feature in Apple Final Cut Pro X. They can help organize clips in the Browser or Timeline, control captions in multiple languages, clean up the Timeline and simplify audio mixes. In this short video excerpt, Larry Jordan shows how to organize clips in the Timeline using Roles.

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Roles are a very powerful, but little understood, feature in Apple Final Cut Pro X. They can help organize clips in the Browser or Timeline, control captions in multiple languages, clean up the Timeline and simplify audio mixes. In this short video excerpt, Larry Jordan shows how to create, modify and delete Roles.

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The usefulness of QuickTime Player has significantly improved over the years and, if you haven’t looked at it recently, the time has come to give it a second look. This is a detailed, illustrated tutorial on what you need to know.

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In this short video excerpt, Larry Jordan shows how to use Apple Compressor to crop and pad video images; for example, to convert between aspect ratios.

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In this short video excerpt, Larry Jordan explains how to use Apple Compressor to convert video frame rates and illustrates why this may, or may not, be a good idea.

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A step-by-step tutorial to extracting a shorter video clip from a longer one, using Adobe Media Encoder; along with the ability to either transcode the new clip or match the settings of the source file.

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A step-by-step tutorial on how to extract a short video clip from a longer one – and either transcoding to a new codec or matching the existing source – in Apple Compressor.

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An explanation of how Final Cut Pro X imports clips and why, sometimes, we can’t import clip ranges.

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A detailed explanation, for video editors, of servers and video editing using Adobe Premiere Pro CC. Explained in layman’s terms, hopefully.

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A detailed explanation, for video editors, of servers and video editing using Apple Final Cut Pro X. Explained in layman’s terms, hopefully.

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An in-depth review and speed test of the OWC Envoy Pro EX portable SSD drive, from a media editing perspective.

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