Blog Archives

This morning, Apple released new versions of Final Cut Pro, Motion and Compressor. Here are the details, along with links to the full release notes.

This week, Apple released a minor update to Final Cut Pro (v 10.6.4), Compressor (v 4.6.2), Motion (v 5.6.2) and iMovie. Here are the details.

MediaInfo, published by MediaArea, is a convenient unified display of the most relevant technical data for video and audio files. It is free, available through the MacApp store. Here’s a detailed look at this useful utility.

This tutorial creates a 3D text template in Apple Motion that allows Apple Final Cut Pro to put moving video inside adjustable, textured 3D text. There are many creative variations on this idea.

The new “sliced scale” effect in Apple Motion 5.6.1 scales an image while preserving key visual elements. This is similar to Content-Aware scaling in Adobe Photoshop. Here’s an example of how this works.

Apple Motion is powerful software that can be used to create motion graphics for any video editor, not just Final Cut Pro. For example, you can use Motion to create animated text and graphics on a Mac, then export it …

Apple updates Final Cut Pro (v10.6.2), Motion (v.5.6.1) and Compressor (v.4.6.1). Here are the details.

Here’s a useful animated split-screen effect that is easy to create in Motion and a big time-saver when editing split screens in Final Cut Pro. I also included the template this tutorial creates for you to download.

The New Mac Studio computer is stunning. But, is it for you? Here’s what you need to know to configure it for video editing – yet save money at the same time.

“Ask Larry Anything,” is a free-form conversation about questions related to media production and editing. In this short excerpt, Larry Jordan explains how to use keyframes in Motion to animate the movement of an object.

Richard asked me to compare the speed of Apple Motion running on Intel vs. Apple CPUs. The results were STUNNING – and NOT what I expected. This offers a caution that simply running on Apple Silicon is not a guarantee of blazing speed.

Happy New Year! Here’s an easy way to combine text, particles and animation in Apple Motion to celebrate the new year with an animated logo.

Recently, Apple updated Motion to version 5.6, where one of the highlighted features is a new neon text effect. In this video tutorial, Larry Jordan shows how this works and how you can add an effect to make it look even better.

On Oct. 18, 2021, Apple updated Final Cut Pro, Motion and Compressor. Here’s a complete list what’s new and what’s fixed, based on Apple’s release notes.

An illustrated tutorial on how to put different video inside each 3D text letter, while still keeping the 3D effect. This effect has multiple uses and lots of creative options to play with it, once the basic effect is created.

“Ask Larry Anything,” is a free-form conversation about, well, anything you want to ask. In this short video tutorial, Larry Jordan shows how to animate an object (a toy car) to follow a complex path along a map using Apple Motion.

Here’s another technique that I use all the time – creating highly-flexible custom Final Cut Pro title templates in Motion that I use and modify in all my FCP projects. This is fast, easy and saves TONS of time formatting and positioning titles.

Your Mac system is acting flakey. Here are a variety of tests and trouble-shooting techniques you can use to get your system and running. (This includes a special section on trouble-shooting for media editors.)

On July 8th, Apple released bug fix updates for Final Cut Pro, Motion and Compressor. These updates included no new features. Here’s the list.

Last week, Apple released updates for Final Cut Pro, Motion and Compressor. Both Final Cut and Compressor added new features, while all three applications saw significant bug fixes. Here’s the full list of what’s new.

Fonts are the easiest way to telegraph an emotion – and they don’t require any design skills from us. In this short video tutorial, Larry Jordan illustrates the importance of readability – and other factors – when choosing fonts for a video project.

Fonts are the easiest way to telegraph an emotion – and they don’t require any design skills from us. In this short video tutorial, Larry Jordan illustrates several font design tips to help you choose which fonts to use in your next video project.

Fonts are the easiest way to telegraph an emotion – and they don’t require any design skills from us. In this short video tutorial, Larry Jordan demonstrates three font adjustment techniques that can make on-screen video text look better. While this uses Photoshop, we can actually do this in most applications on Windows or Mac.

DPI (Dots per Inch) is a measure of image resolution. It also confuses a lot of people. Here’s an illustrated guide to where DPI matters, where it does not, and why images look bad when you scale them larger.

When it comes to updating the operating system on my main production Mac, I’m a laggard. This is by intent. Still, I finally decided it was time to upgrade. Here’s what I learned in the process.

Auto-shrink is a new feature in Apple Motion that resizes text to fit within a specific area. This is a very useful tool when creating text graphics for Apple Final Cut Pro.

Here are ten keyboard shortcuts that make Apple Motion a whole lot easier to use – and ones I wish I knew a month ago.

In this session, we step deeper into the 3D world of Apple Motion with a look at cameras and sets. In this short video tutorial, Larry Jordan shows how to move a single camera between multiple sets in Motion.

In this session, we step deeper into the 3D world of Apple Motion with a look at cameras and sets. In this short video tutorial, Larry Jordan shows how to add and frame multiple cameras to shoot a single scene in Motion.

In this session, we step deeper into the 3D world of Apple Motion with a look at cameras and sets. In this short video tutorial, Larry Jordan illustrates how to add depth of field (focus) to a camera in Motion.

In this session, we step deeper into the 3D world of Apple Motion with a look at cameras and sets. In this short video tutorial, Larry Jordan shows how to add a camera to a Motion project, then illustrates the difference between a framing camera and viewpoint camera in Motion.

Many of the titles shipped with Final Cut Pro look, um, suboptimal. Here are some tricks you can use in both Final Cut and Motion, to make your titles look a WHOLE lot better.

Motion has a virtually limitless package of lights that can be positioned for both 2D and 3D elements. In this short video tutorial, Larry Jordan illustrates the four different light types in Apple Motion, and how they are used.

Motion has a virtually limitless package of lights that can be positioned for both 2D and 3D elements. In this short video tutorial, Larry Jordan illustrates what happens when you change light settings in Apple Motion.

Motion has a virtually limitless package of lights that can be positioned for both 2D and 3D elements. In this short video tutorial, Larry Jordan illustrates how to light a 3D object in Apple Motion using a variety of lights.

Motion has a virtually limitless package of lights that can be positioned for both 2D and 3D elements. In this short video tutorial, Larry Jordan illustrates how to create a cast shadow from a chroma-key using lights in Apple Motion.

Here’s a step-by-step tutorial creating an animated reflection in Apple Motion, then publishing it to Final Cut with additional effect controls, to use as a template.

In this illustrated, step-by-step tutorial, discover how to use Apple Motion to motion-track, blur or emphasize elements within a video frame.

Explore the capability of Apple Motion for your projects in more depth. In this short video tutorial, Larry Jordan illustrates how to use and modify particle emitters, then showcases two simulations: Repel and Vortex using Apple Motion.

Explore the capability of Apple Motion for your projects in more depth. In this short video tutorial, Larry Jordan illustrates how to create a curved path for text, then animate text along that curve using Apple Motion.

You don’t need to be an incredible artist – or a programmer – to create interesting and useful effects using Apple Motion. In this short video training, Larry Jordan shows how to create a custom transition in Motion for use in Apple Final Cut Pro.

You don’t need to be an incredible artist – or a programmer – to create interesting and useful effects using Apple Motion. In this short video training, Larry Jordan shows how to create a custom effect in Motion for use in Apple Final Cut Pro.

In this illustrated tutorial, I show how to use chroma-key to create an irregular object in Apple Motion, then create a cast shadow that changes as the foreground image changes.

Two “Top Ten” lists of tips and techniques from “The Inside Tips” for 2020. The first is by number of views, the second is by reader ratings. These cover Adobe and Apple software, along with codecs, media, visual effects and production.

“Should you upgrade?” is the wrong question. Here is a better answer on when to upgrade to Big Sur – along with links to help your transition go smoothly.

Just as we use multiple cameras to provide different angles on the same scene in live production, we can use multiple cameras in Motion to simulate the same thing. Here’s an example, along with a finished movie.

Motion has a full range of lights and, more importantly, lighting presets that can add drama and visual interest to any scene – especially one that involves 3D objects. Here’s an illustrated tutorial on how to use them to increase the drama in your projects.

There’s a small icon in the Motion interface that enables multiple views of a project. This is really helpful when working with cameras and lights. Plus, it is cool to look at.

Here’s how to create a cast shadow of a Apple Motion element from scratch, which be animated and colorized separately from the object creating the shadow.

Video compression is essential to all media today, from social media to broadcast to streaming. In this video tutorial, Larry Jordan shows how to apply both still and moving watermarks to compressed video using Apple Compressor.