If all your audio clips sound different, audio presets may not help. But, much more often, we are making the same changes to our audio over and over … and over. Audio presets in Adobe Premiere Pro make applying these adjustments blindingly fast.
With its latest releases, Apple now offers M2 versions of the Mac mini, Mac Studio and Mac Pro. This article is to help you decide which hardware best meets the needs of media creators, then provide tips on how to best configure the system.
This audio transition technique is a godsend for smoothing those “too-tight” transitions that seem to crop up in every edit. Best of all, it only requires three steps and takes less than a second.
Audio is a huge part of any project. In this short video tutorial, Larry Jordan shows how to record a voice over directly in the timeline of Adobe Premiere.
About a month ago, I purchased a BenQ PD2725 monitor because I wanted a color accurate monitor for scanning still images and video editing. Based on what I’ve learned and seen, I’m comfortable making color and composition decisions based upon what I see with the BenQ PD2725U.
Displaying video full-screen in Adobe Premiere is as easy as pressing a single key. However, for best results, when you have two monitors, this quick tutorial shows how to change preference settings to create a separate view and grading monitor.
Here’s a quick tip to use roles to quickly and easily mute different audio channels in the timeline. This is especially useful when working with double-system sound.
Audio is a huge part of any project. In this short video, Larry Jordan presents how to use keyboard shortcuts and “fade dots” to preview audio and add fades between clips.
Audio is a huge part of any project. In this short video, Larry Jordan illustrates how to work with double-system sound – where the audio is recorded separately from the video – inside Apple Final Cut Pro.
Audio is a huge part of any project. In this short video tutorial, Larry Jordan shows how to work with multichannel audio in Apple Final Cut Pro.
It seems counterintutive, but you don’t need massive amounts of RAM for video editing. This explains why the duration of your video project does not determine the hardware you need. It also explains what DOES require faster hardware.
This tutorial looks at how to get the best image quality out of still images that don’t move (i.e. animate) in Final Cut Pro. You’ll find these results surprising – there’s only one key parameter that affects image quality.
I am often asked which NLE is “better.” That question can’t be answered, except to say “It depends…” However, we CAN test render and export speeds, along with multicam streaming support using the new 2023 M2 Pro Mac mini. I did – and here are the results.
This review specifically looks at video editing performance using Adobe Premiere Pro with the new 2023 Mac mini with an M2 Pro SoC. This concentrates on render and export speeds, along with multicam editing.
The new 2023 Mac mini is a powerhouse – especially when equipped with an M2 Pro SoC. In this detailed analysis, Larry Jordan looks at the performance of the M2 Mac mini specifically for use editing media in Apple Final Cut Pro.
Premiere Pro is not bad at multicam editing. If you are only editing a few clips, Premiere will be fine. But, for complex projects, or where you want to customize proxy compression settings, Premiere is not the fastest or most capable choice. Here are the details.
This you won’t believe. I tested to see how many streams of 4K media Final Cut Pro can edit in a multicam clip. The answer blew me away. These are the details.
A frequent question is whether a computer has the power an editor needs. Here I look at what Adobe Premiere Pro needs for 4K multicam editing and the speeds your storage needs to support. The answer is not what you expect.
A frequent question is whether a computer has the power an editor needs. Here I look at what Apple Final Cut Pro needs for 4K multicam editing and the speeds your storage needs to support. The answer is not what you expect.
In this short video tutorial, Larry Jordan illustrates a relatively new feature in Premiere which can instantly simplify complex sequences without actually changing your edit. This is very cool.
In this short video tutorial, Larry Jordan explains what speech-to-text is in Premiere, then shows how to create transcripts from your sequences using it.
Digital video no longer requires state-of-the-art hardware. We no longer need the biggest, fastest, most powerful system to get our work done. Here’s what you need to consider for a video editing system today.
Adding a few dozen To-Do markers to any Final Cut project won’t cause any problems. However, if you regularly import transcripts into FCP, take the time to read this thread, especially if your system seems to be slower than usual.
Multicam editing allows us to edit several camera clips at the same time. In this short video tutorial, Larry Jordan shows how to use the multicam Angle Editor in Apple Final Cut Pro, along with some advanced techniques that make multicam files easier to edit.
Apple Final Cut Pro supports having more than one project open at once, even though only the active project is displayed. Here’s how to open, switch between and close one or more projects inside FCP.
As we increasingly move to hand-held cameras, shaky shots are a fact of life. The Warp Stabilizer effect in Adobe Premiere Pro is a great way to keep your audience involved in your story without them losing their lunch. Here’s how to use it effectively.
Shaky video footage can cause an audience to get motion sick watching your program. Fortunately, Apple Final Cut Pro provides three ways to smooth shaky footage. Here’s an illustrated tutorial on how these work.
Here are some real-world speed tests of 2-, 3-, and 4-drive SSD RAIDs using the OWC Thunderblade. Speeds are fast, but none fully fill a Thunderbolt 3/4 connection. Still, they are more than fast enough for almost all editing.
macOS Ventura is significantly (masses of megabytes!) slower than macOS Monterey for both ExFAT- and APFS-formatted SSD drives. No one know why. Worse, formatting drives is now harder than before. Here are the details.
Recently, Alteon.io announced a new workflow extension for Final Cut Pro that provides an end-to-end media workflow from within FCP. (They also have one for Adobe Premiere Pro.) In this interview with Larry Jordan, CEO Matt Cimaglia explains why Alteon is, why video editors should consider it and how it compares to the competition.
This guest post from Laura Fields looks at video editing tools that would be good for educators and students.
One of our favorite – and most wide-ranging – sessions returns with “Ask Larry Anything!” Presented by Larry Jordan, this is a free-form conversation based on questions submitted by viewers. In this short video tutorial, Larry explains the challenges of maximizing performance when using hard disk drive RAIDs for video editing.
One of our favorite – and most wide-ranging – sessions returns with “Ask Larry Anything!” Presented by Larry Jordan, this is a free-form conversation based on questions submitted by viewers. In this short video tutorial, Larry shows you how to access all the audio channels when editing multicam clips in Adobe Premiere Pro.
Apple Keynote, like Apple Pages, supports text styles. However, these are more limited than you might at first think. Here’s a tutorial that explains more about how to create and modify them.
Looking for ways to work faster? Here are five pretty much undocumented quick tricks – from import to export – that make Final Cut Pro work even faster.
August is vacation time. Still, over these five weeks, we published 19 tutorials and product reviews. Here’s a summary of everything we released this month. Something to look through during the holiday weekend.
V-Station HD is a new and uniform approach for multi-cam video projects, particularly for those who are not trained in video production. In this article, Larry Jordan interviews FutureVideo Products CEO Robert Cohen to learn more about their video products.
One of the smaller changes in the June update to Premiere Pro is also one that can save you a bunch of time: Adobe revised Copy/Paste. Here’s what you need to know.
One of our favorite – and most wide-ranging – sessions returns with “Ask Larry Anything!” Presented by Larry Jordan, this is a free-form conversation based on questions submitted by viewers. In this short video, Larry has a conversation about computer performance in the real-world, specifically for video editing.
There’s an old axiom for everyone who works in video, “Editing is all about work arounds.” Carleton Cole presents a workaround for editing Microsoft Teams videos when the images randomly shift position.
Integrating vertical video into a horizontal video timeline is increasingly common. Here’s an illustrated tutorial on how to do it using both Final Cut Pro and Adobe Premiere Pro.
Adobe added new features to their proxy workflow. However, you need to make sure permissions are set correctly, and, even then, they are hard to see. Here’s how this new feature works.
Relinking media in Final Cut has become increasing powerful and flexible. Here’s an illustrated tutorial on how it works, along with advice on where to store media for different Final Cut Pro projects.
Adobe added two significant new workspaces to Adobe Premiere Pro (v22.5) to simplify editing projects on single monitors and laptops.
This week, Adobe updated Premiere Pro to version 22.5. Here’s a list of the new features, along with a link for more details.
Multicam recording captures an event using multiple cameras. Multicam editing displays all those angles during the edit. In this short video tutorial, Larry Jordan shows how to create virtual angles in a multicam clip to provide more diversity in shot selection, as well as how to create a montage using multicam in Final Cut Pro.
Multicam recording captures an event using multiple cameras. Multicam editing displays all those angles during the edit. In this short video tutorial, Larry Jordan shows how to add visual effects and color grading to a multicam clip in Final Cut Pro.
Multicam recording captures an event using multiple cameras. Multicam editing displays all those angles during the edit. In this short video excerpt, Larry Jordan shows how to handle multi-channel audio in a Final Cut multicam clip.
How many CPU cores do you need for video editing? This illustrated tutorial looks at how many CPU cores Apple Final Cut Pro uses during import, edit, render, export and multicam. The answer is surprising!
Recently, Adobe updated Premiere Pro to version 22.3.1. In this short video tutorial, Larry Jordan shows how to use the new Import panel to create a new project and import media clips into Premiere.
