In this short video demo, watch as Larry Jordan shows how to enable hidden keyboard shortcuts to add, remove and toggle audio fades in Apple Final Cut Pro X.
In this short video demo, watch as Larry Jordan shows how format 3D text, then add a cast shadow in Apple Final Cut Pro X.
In this short video demo, watch as Larry Jordan shows how to copy the same clip into multiple events inside the same Apple Final Cut Pro X library.
In this short video demo, watch as Larry Jordan shows how to use the Focus blur to simulate depth-of-field in your video in Apple Final Cut Pro X.
In this short video demo, watch as Larry Jordan shows how and why to disable drive ownership in the macOS for all external storage. (Yes, you should do this.)
In this short video demo, watch as Larry Jordan shows how use a Morph cut with green-screen footage to fix jump cuts in Adobe Premiere Pro.
In this short video demo, watch as Larry Jordan shows how to add and modify gradients to elements in Apple Motion.
In this short video demo, watch as Larry Jordan shows a fast way to set and modify durations for clips in the Browser and Timeline of Apple Final Cut Pro X.
In this short video demo, watch as Larry Jordan shows how to create, import and modify captions in Apple Final Cut Pro X and Adobe Premiere Pro.
A simple example showing how to create a seamless animated video loop using Apple Motion.
A quick, step-by-step process to transfer videos from a Mac to an iPad.
With all these different high-end video formats, it’s easy to get confused. In this short video excerpt, watch as Larry Jordan defines and illustrates color spaces and LUTs; and how they apply to video media.
High Dynamic Range (HDR), RAW, sLog, vLog, HDR, 10-bit, 12-bit… In this short video excerpt, watch as Larry Jordan illustrates how to create custom LUTs for media in Adobe Premiere Pro using Adobe Photoshop. This is a VERY cool technique!
High Dynamic Range (HDR), RAW, sLog, vLog, HDR, 10-bit, 12-bit… In this short video excerpt, watch as Larry Jordan illustrates how to optimize preference settings in Adobe Premiere Pro to work with HDR media.
With all the different high-end HDR video formats, it’s easy to get confused. In this short video excerpt, watch as Larry Jordan illustrates how to use Range Checking to control highlights in both SDR and HDR media using Final Cut Pro X.
With all the different high-end HDR video formats, it’s easy to get confused. In this short video excerpt, watch as Larry Jordan illustrates how to use the HDR Tools effect on HDR media in Apple Final Cut Pro X.
With all the different high-end HDR video formats, it’s easy to get confused. In this short video excerpt, watch as Larry Jordan shares tips on how to color grade HDR media in Apple Final Cut Pro X.
In this short video excerpt, watch as Larry Jordan illustrates how and why to modify Library properties in Apple Final Cut Pro X (10.4.x).
In this short video excerpt, watch as Larry Jordan illustrates how and why to automatically create and edit proxies in Adobe Premiere Pro CC (2019).
While 360/VR won’t replace traditional filmmaking, it can create some amazing experiences. In this short video excerpt, watch Larry Jordan as he illustrates how to edit 360/VR video in Apple Final Cut Pro X.
While 360/VR won’t replace traditional filmmaking, it can create some amazing experiences. In this short video excerpt, watch Larry Jordan as he illustrates how to edit 360/VR video in Apple Final Cut Pro X.
Join Larry Jordan as he illustrates basic camera framing techniques you can use immediately to make your still and video images more compelling and powerful.
In this short video excerpt, Larry Jordan share his thoughts on how to pick the “Best” computer for video editing, what specs are important, and how to spend your money wisely.
In this short video excerpt, Larry Jordan shows how to resize a video clip without losing image quality in Apple Final Cut Pro X.
In this short video excerpt, Larry Jordan shows three different ways to correct a color blemish within the frame. This technique works in either Final Cut Pro X or Adobe Premiere Pro CC.
In this short video excerpt, Larry Jordan explains how Final Cut Pro X decides what to reopen when restarting and how the Timeline History works.
In this short video excerpt, Larry Jordan shows how to create Watch Folders in Adobe Media Encoder that can be accessed by multiple computers and a shared server to simplify video compression.
A collection of articles and video demos explaining how to create green-screen keys (chroma-keys) in Apple Final Cut Pro X and Adobe Premiere Pro CC.
In this video excerpt from a recent PowerUp webinar, Larry Jordan illustrates how to use the new Comparison View feature in Adobe Premiere Pro CC (2019).
In this video excerpt from a recent PowerUp webinar, Larry Jordan illustrates how to measure and modify skin tones in Adobe Premiere Pro CC (2019), along with a table presenting “normal” skin tone values for men and women in different ethnic groups.
Apple just released updates to Final Cut Pro X, Motion and Compressor. In this short video excerpt, Larry illustrates the new support for SRT captions in Final Cut Pro X.
Apple just released updates to Final Cut Pro X, Motion and Compressor. In this short video excerpt, Larry illustrates the new Comparison Viewer in Final Cut 10.4.4.
In this short video excerpt, Larry Jordan shows how to apply keywords automatically and manually to your clips, use them to find clips in the Browser, or create searches (called “Smart Collections”) to find clips based upon keywords.
In this brief video overview, discover how Kyno can help you find, label, manage and transcode media for Apple Final Cut Pro X and Adobe Premiere Pro CC. Hosted by Larry Jordan.
This session looks at key new features in Adobe Premiere Pro, Audition and Media Encoder in Adobe’s updates for Spring, 2019. Join host, Larry Jordan, as he illustrates the new selective color curves in Adobe Premiere Pro CC.
This session looks at key new features in Adobe Premiere Pro, Audition and Media Encoder in Adobe’s updates for Spring, 2019. Join host, Larry Jordan, as he illustrates several new time-saving tips and techniques for Premiere.
This session looks at key new features in Adobe Premiere Pro, Audition and Media Encoder in Adobe’s updates for Spring, 2019. Join host, Larry Jordan, as he illustrates the new DeReverb and DeNoise effects for both Premiere and Audition.
Editing a multicam shoot allows us to see multiple camera clips at the same time as we edit the show. In this short video excerpt, Larry Jordan illustrates different ways to sync clips inside a multicam clip using Apple Final Cut Pro X.
Editing a multicam shoot allows us to see multiple camera clips at the same time as we edit the show. In this short video excerpt, Larry Jordan illustrates how to edit and trim a multicam clip using Apple Final Cut Pro X.
Editing a multicam shoot allows us to see multiple camera clips at the same time as we edit the show. In this short video excerpt, Larry Jordan illustrates how to add effects and create montages with multicam clips inside Apple Final Cut Pro X.
Whether you use Adobe Premiere or Apple Final Cut, still images are at the heart of many video programs, especially documentaries. But, what do you do your images don’t look that good? In this short video excerpt, Larry Jordan illustrates how to use a variety of tools to repair a still image in Photoshop.
Whether you use Adobe Premiere or Apple Final Cut, still images are at the heart of many video programs, especially documentaries. But, what do you do if your images don’t look that good? In this short video excerpt, Larry Jordan illustrates how to use the Patch tool in Adobe Photoshop CC to repair an image.
Larry Jordan shows how to export the audio files for a dramatic scene from FCP X using XML, convert the XML file using XtoCC, edit and mix the audio in Adobe Audition, then bring the final mix back into FCP X for final output. In this short excerpt, Larry illustrates how to get audio files out of FCP X and into Audition using XML.
Larry Jordan shows how to export the audio files for a dramatic scene from FCP X using XML, convert the XML file using XtoCC, edit and mix the audio in Adobe Audition CC, then bring the final mix back into FCP X for final output. In this short excerpt, Larry illustrates how and why to create an audio bus in Adobe Audition.
If you want to fix color problems faster and better, as well as improve the overall look of your media, this session gives you a host of new ideas, tools and techniques you can put to work immediately. In this short video excerpt, Larry Jordan illustrates how to display, adjust and use the video scopes inside Apple Final Cut Pro X.
If you want to fix color problems faster and better, as well as improve the overall look of your media, this session gives you a host of new ideas, tools and techniques you can put to work immediately. In this short video excerpt, Larry Jordan illustrates how and why to adjust the gray-scale values of an image.
If you want to fix color problems faster and better, as well as improve the overall look of your media, this session gives you a host of new ideas, tools and techniques you can put to work immediately. In this short video excerpt, Larry Jordan illustrates how to use two automated color correction tools in FCP X: Match Color and Balance Color.
Nothing causes quite the confusion in video editing as media management. Before we can even begin editing, we need to figure out what to do with all the files that were generated on set. In this short video excerpt, you’ll discover a variety of media management techniques for Apple Final Cut Pro X.
Nothing causes quite the confusion in video editing as media management. Before we can even begin editing, we need to figure out what to do with all the files that were generated on set. In this short video excerpt, you’ll discover a variety of media management techniques for Adobe Premiere Pro CC.
This video is from our periodic series called: “Ask Larry Anything.” This is a free-form conversation between Larry Jordan and viewers about, well, anything. In this short video, Larry shows how to create and display video proxy files in Adobe Premiere Pro CC.
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