Since I wrote this article, I’ve written more articles detailing media management in Final Cut Pro X. They include:
And here is a video webinar that illustrates these, and more, media management techniques for Final Cut Pro X.
Media Management drives editors nuts. Since the beginning of computer-based video editing, trying to remember where your media is stored is a never-ending battle between “getting it done,” and “doing it right.”
Somewhere toward the end of a project, along about the third or fourth sleepless night, file management and organization give way to “Please, just let this end…”
In Final Cut Pro 7, all media was stored in a single scratch disk. This scratch disk included your media, plus render files and a host of other work files that Final Cut needed. The biggest complaint from editors was that we wanted to set scratch disks by project to give us more control over media storage.
NOTE: We could also “link” media, by reference, into a project except that if we moved or renamed the media or the folders containing it, everything broke.
In Final Cut Pro X, Apple switched to Events and Projects. Events held media and projects described how that media was assembled; the “edit.” Events could be stored anywhere and projects could use media from any event. The biggest complaint from editors was that we needed to quit Final Cut in order to change events or projects.
NOTE: We could still “link” media, by reference, into a project except that if we moved or renamed the media or the folders containing, everything broke.
So, with this release, Apple replaced Events and Projects with Libraries. Libraries hold everything. Events are now folders within libraries, and projects are now stored in events. Media is stored in the library, which acts like a single, big container file. This makes backups, clones, or simple moves from one hard disk to another a lot easier.
NOTE: Even with this system, we can still “link” media, by reference, into a project but if we move or rename the media or the folders containing, everything breaks. Some things never change.
EXECUTIVE SUMMARY

With Final Cut, you now have the ability to copy media into any selected library, or simply point (“link”) to where that media is stored on your hard disk. If you are very organized, linking is faster. If you don’t want to worry about where your media is stored, copy the media into the Library and be done with it.
Media can be copied without optimizing, if you want to edit using the camera native video format.
Libraries make working with media MUCH easier. But they work best when you copy the media into the library. Linking media, as with past versions of Final Cut, requires that you not move, or rename, any of the media files or the folders that contain it.
HOW IT WORKS

Here’s the new Library pane in Final Cut Pro X 10.1. (The Library pane is on the left, the Browser is on the right.) There are two open libraries: “Dr. Vint Cerf” and “Glass Blowing.” You can have as many libraries open as you want.
Inside the Dr. Cerf library are four events: Audio, B-roll, Interview, and Projects. Events act as folders within a library and can be named anything. There is no limit to the number of events stored inside a library. I store all my projects in a separate event, just to make them easier to find. You can store projects in any event. Media from any event can be used in any project.
NOTE: In earlier versions of Final Cut Pro X, there was an internal limit of around 2,000 clips per event. That limit was essentially removed in this update.

The library file is stored on your hard disk. Because most of my libraries are small, I store them on a RAID in a folder called “Final Cut Libraries.” You can store libraries anywhere and call them anything. Libraries do not need to be stored in folders. However, I always recommend storing all libraries and media files on a second drive (not the boot drive) for performance reasons.
The library file is actually a bundle, similar to the way Keynote stores its files.

If you right-click on the Library name in the Finder, and select Show Package Contents…

Inside is a folder for each event, which stores the actual media, as well as projects and other Final Cut work files. My STRONG recommendation is to stay out of this folder and don’t move the elements inside it. However, I wanted to let you know how this storage system works in case you ever need to rescue a clip from a library or an event.
NOTE: When copying or moving libraries, ALWAYS!!! move the entire library folder. Never mess with the database files or other individual work files in this folder.
UPDATING EVENTS AND PROJECTS
The new version of Final Cut requires updating all events and projects before they can be used. If you are someone that prefers to learn by watching a video, watch this eight-minute tutorial covering what you need to know to update existing events and projects.
Otherwise, read on.

When you first start Final Cut, this warning will appear. Click Update Later. This allows you to open the program and take a look around without altering any of your existing events or projects.
Here’s what you need to know about updating:
If you have media stored across multiple hard disks, do the update first, then use File > Consolidate Events/Projects to combine all the media into one location. Consolidation is NOT required, but if it helps you to stay organized then go ahead.
To automatically update, select Update All.
To manually update:


Next, click Update All. Only those events and projects you moved into the Events and Projects folders will be updated.

My hard disk is named “2nd Drive RAID.” The library that was created by the update is named “2nd Drive RAID’s projects and events.” You can rename this library to something more meaningful once the updating is complete.

When the update finishes, you have the option to save events and projects or trash them. My recommendation is to save them until you know that the update process was successful. At which point, they can be deleted.
NOTE: If you select “Move to Trash” and realize you made a mistake, all is not lost. Simply open the Trash and drag the folders back out.

Notice that a new folder was created on 2nd Drive RAID and named “2nd Drive RAID…Projects and Events.”
The events and projects folders and their contents are not changed in any way. The information they contain was simply copied and converted into Final Cut’s new Library media management system.
GET MORE INFORMATION
Apple has provided additional resources in two white papers:
I’ve also written more articles to help you figure this out:
Also, the folks at Intelligent Assistance have released a free version of Event Manager X, along with a white paper, which can simplify the process of moving and updating older events and projects.
Website: www.intelligentassistance.com.
I just completed all-new training on Final Cut Pro X 10.1. To see the first 15 movies – which will give you a Quick Start into the application – visit my YouTube channel.
To download your own copy of my Final Cut Pro X training, please visit our store.
SUMMARY
Updating isn’t difficult, but you need to understand how the process works. To be safe, if you have the hard disk space, I recommend creating a backup of all events and projects before updating… just in case.
Then, update one event and one project and watch what happens. This is what I did as I was learning the system. Once you understand how this works, updating is simple. And, as I mentioned above, media is moved but not altered by this process.
The key is to decide how you want events and projects organized before you start the update process. And remember that you are not updating specific events or projects, but all the events or projects stored in the Final Cut Events and Final Cut Projects folders on a single hard disk.
The good news is that once the updating is complete, you never have to do it again. And libraries are a LOT easier to work with than the old Events and Projects!
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125 Responses to Media Management is Biggest Change in Final Cut Pro X 10.1
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Barry says:
December 20, 2013 at 1:19 am
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Larry Jordan says:
December 20, 2013 at 8:35 am
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jbcdv says:
December 20, 2013 at 8:36 pm
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Larry says:
December 20, 2013 at 8:40 pm
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Vanessa Warheit says:
December 20, 2013 at 10:29 pm
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Larry Jordan says:
December 20, 2013 at 10:41 pm
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Tom says:
December 21, 2013 at 11:29 am
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Larry Jordan says:
December 21, 2013 at 11:42 am
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Noah says:
December 21, 2013 at 11:45 am
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Tom says:
December 21, 2013 at 1:21 pm
← Older Comments Newer Comments →Howdy! When you say you can store libraries “anywhere”, does that include networked storage? Or is 10.1 still limited to directly attached or XSAN storage?
Barry:
Libraries are data files, which means they can be stored anywhere. Whether you can successfully play media from the network server depends upon the video format you are editing, the number of video streams you are editing, and the speed of your network connection.
Larry
HI Larry,
how does the library setup handle hidden projects if we bring them into the library, can they be hidden again or not. I have 20-30 events and projects on each media drive on 10.0.9 but don’t want all of them to be visible in the library for obvious performance reasons. how do we handle this now in this new paradigm.
Ps have a great Xmas from Australia ( its cooking out here)
Jon Burke
Jbcdv:
Libraries can be opened and closed at will. So, you don’t “hide” them, you just close them. This removes them from FCP, but NOT from your hard disk. This is analogous to opening or closing multiple word processing files.
So, put related events and projects in one library and other related events and projects in another library. There is no limit to the number of libraries you can create.
Larry
Hi Larry,
I don’t think that’s actually the issue, as the previous version of FCPX had been using those files… but I think it’s because it thought the files (based on their file structure, which I’d copied directly from the card to a disk) were on a card, and not a drive. Possible?
Thanks,
Vanessa
Vanessa:
Possible… but I don’t think that’s the answer. FCP X should treat a card copied to disk the same as if it were a card – only faster. Have you tried trashing FCP X preferences?
Larry
Hi Larry. I’m still quite a bit confused by this new system. Maybe I’m biased by the older ways of working. But what I want is for my media (originals, optimized, transcoded) to live on an external hard drive, while my projects and events (just the logs, not the media!) can live on my system drive, where it can be backed up regularly by Time Machine. (It would also be nice if the renders could live on the external drive as well.) The reasons for this I think are obvious: I want to back up my work regularly, but not the media or renders. Is there any way to accomplish this?
Tom
Tom:
No.
Libraries are master files which contain media, or links to your media, events and projects. It is not possible to store projects outside the library.
The biggest reason for this change is that lots and LOTS (to judge from my email alone) of editors were constantly misplacing media, or deleting files accidentally. By wrapping media and projects into a single master bundle (which is what a Library is), most of these media management headaches could be solved.
Because a library is a bundle, incremental backups – such as those from Carbon Copy Cloner, or Time Machine – will only back up that which changed in the library folder. in other words, a backup utility can see media separately from projects and will only backup the changing project database without backing up media files which are already archived.
Larry
Yikes, I was afraid of this, and was long hoping for FCPX to change it. This detail has made me, all my editors, and colleagues from other companies switch from FCP. It’s a shame because besides that I love FCPX. I just need to be able to store the everchanging project file separately from all media and render files. This allows for us to collaborate from a distance. What a shame 🙁
I’m all for simplification, but that’s a case of making something that had problems much worse.
Before, in FCP 10.0.9, if I wanted to put my projects in a place where they could easily be backed up, I had to also back up gigs of renders, which seemed pointless to me, but I dealt with it.
But now if I want to regularly back up my work to another drive, I have to also back up hundreds of gigs of media at the same time? If I want to pass a cut to another editor on a different system, I have to give them hundreds of gigs of media also? That seems insane.
Is there a workaround for this? Have any of the third party software vendors caught up with the new version yet? I’m starting to regret upgrading.
Thanks for your quick reply.