Blog Archives

Posted on by Larry

Brad Hagen sent me the following announcement: This Wednesday, MCAI presents four experts to address the critical needs of high-end HD Production: Do you really need a DITech? How important is on-set color correction? What are the hidden issues of …

Posted on by Larry

Philip Hodgetts sent me a fascinating blog post from Justin Evans, who is both a filmmaker and camera rental house owner. In it, Justin suggests that the total number of RED cameras currently in the market exceeds the number of …

Posted on by Larry

I’ve attended, and spoken at, HDFest the last two times it visited LA. Its a great place to see what’s happening in the Indy world of HD. Marisa, the Festival Coordinator, reminds me that HDFest is returning to LA this …

Posted on by Larry

Jan Crittenden-Livingston is the business line manager for Panasonic’s professional cameras. Recently, I had the opportunity to interview her at DV Expo 2008 about Panasonic’s move to tapeless media (the P2 card) and the impact that had on the company. …

Posted on by Larry

Dave Walton is the assistant vice president for marketing and communications at JVC Professional Products. He is an expert in JVC’s video camera technology, as well as the overall broadcast market. Recently, I had the opportunity to interview him at …

Posted on by Larry

To say that the whole Blu-ray Disc situation is a mess does not begin to describe the chaos in which the independent producer is caught. We can shoot HD. We can edit HD. We can output HD. But when it …

Posted on by Larry

I’ve been traveling around the country for the last two months, talking about the impact of tapeless and high-definition video on video editors. Generally, I begin each session by talking about how “the world is moving to high-definition video” — …

Posted on by Larry

Jody Eldred sent me the following links a few days ago, with these comments: Look what a guy just shot with the Canon EOS 5D digital SLR still camera. It shoots full-res, 1920×1080 1080P/30 high definition video. 21 megapixels. 12 …

Looking back on the old days of shooting standard-definition video… Life was easy, we only had two video formats — NTSC and PAL. Everything worked. No one complained.  (OK, so maybe there’s a rose-colored-glasses effect involved here. Stay with me.) …