A solution for dual-channel mono clips, or single track mono clips displaying audio as a single waveform in Final Cut Pro X.
This is a better, faster, and more flexible way to create audio transitions in Final Cut Pro X.
Changing the color of a gradient in Final Cut Pro X requires opening it in Motion and making changes. This article describes how.
What happened to Background Sound in Final Cut Pro X?
Alex Gollner has posted a new, FREE, effect for Final Cut Pro X — it’s an eight-point mask.
Jack Rickard sent me a very thoughtful analysis of why he is a fan of the Cloud that I want to share with you.
One of the limitations of FCP X is that all Events and Projects must be open at all times. This product is a stand-alone utility that makes file management much easier in FCP X.
The latest version of OS X — Lion — is now shipping. While many people are excited, I recommend taking a cautious approach to upgrading any systems that you depend upon for editing.
One of the limitations of FCP X is that it only allows one sequence per project. Here is a simple workaround you can create that may do the trick.
Cheryl Foster sent me an email recently asking about archiving.
Mark Whalen sent me his thoughts on Final Cut Pro X that I wanted to share with you.