Larry Jordan and Jefferson Graham discuss his 20 years in podcasting, how he got started, what he’s doing now, where he gets his ideas, and how he finds the energy to get up in the morning.
Larry Jordan and David Hubble discuss some of the new products released by Marshall Electronics at the show, new features in PTZ (Point-Tilt-Zoom) cameras, and a detailed comparison of why someone should consider Marshall gear for their next production.
Larry Jordan and Tony Wisniewski discuss the “Zeiss look” – image sharpness, accurate color, and the contrasty nature of each lens. Tony also describes how the lenses are made and how they are designed to fully fill even the largest sensor with light.
Larry Jordan and Tom Huczek discuss why he invented Nobe OmniScope which contains 19 extended audio and video scopes, who it’s for, how it is used, and ends with Tom describing several of his favorite scopes.
Larry Jordan and Jon Finegold discuss Signiant’s 20th Anniversary, moving large media files around the globe, how they compare to the competition and what’s needed to use Signiant’s fast file transfer technology.
Larry Jordan and Tara Montford discuss some of the 20 new products EditShare released at the show, how EditShare’s media-centric focus enables it to optimize their products, and details on their hardware specifications.
Larry Jordan and Chris Spahr discuss wireless audio transmitters and receivers, the unique characteristics of Wisycom wireless systems, and new products Wisycom announced at the show
Larry Jordan and Chris Spahr discuss why microphone size does not determine audio quality, new features in DPA mics, why DPA mics are used in noisy situations, and how to pick the right microphone for your project.
Larry Jordan and Chris Black celebrate the 20th Anniversary of the launch of Tricaster, showcase new Tricaster features, discuss how to create NDI graphics with a web browser, and other new software from Vizrt.
Larry Jordan and Gergana Berman discuss what LucidLink is and how it works, why it was created, typical customers, and how it competes with other cloud services.
Larry Jordan and Victor Ha discuss how FujiFilm cameras compete against mobile phones, FujiFilm’s outstanding color science, the benefits of a DSLR camera for stills or video, two new camera announcements, and how to choose a DSLR camera.
Larry Jordan and Dr. Marc Batschkus discuss new features in Archiware’s backup and archiving software suite, where Archiware fits into a media production workflow and, a key benefit that tape archives provide in protecting organizations against cyber-attacks.
Larry Jordan and Abel Grünfeld discuss how Riverside creates its high-quality recordings and how it is used by both novice and experienced editors. He then showcased two new features: Automatic AI translations into 10 languages, and VideoDub, which generates the host’s voice from a text prompt.
Larry Jordan and Tamara Gabriel discuss what first got her interested in creating a YouTube channel, how she programs it, the challenges of running it, who her audience is, and her plans for the future.
Larry Jordan and Alex Ossenbeck discuss how and where Cinedeck software is used in production, the value in supporting multiple codecs, Cinedeck’s latest hardware – the RX3 – and a new cloud offering. Alex also explains how their products can enhance a post-production workflow.
Larry Jordan and Caleb Christofer discuss how NewBlue first got into titling; their expansion into sports, government, and live events; NewBlue’s latest products; and a look at trends Caleb is tracking for the future.
Larry Jordan and Paul Isaacs discuss Sound Device’s relentless focus on audio quality, their recent acquisition by Audiotonix and its impact on product development, and Sound Device’s move into live audio and microphones.
Larry Jordan and Rich Andes discuss Telestream’s latest features and products, the new partnership with Iconix, how he plans new products, and key trends that he’s watching this year.
Larry Jordan and Michael Kammes take a step back and look at media production and post from a higher level, discussing the role of AI, the different forms of AI, and how they impact the tools that we use. Michael also shares what young editors need to know to build their careers.
Larry Jordan and Larry O’Connor discuss OWC’s latest Thunderblade high-speed storage, the importance of Thunderbolt 5, and network-connected LTO drives. They then take a deeper look into SoftRAID 8.5.
Larry Jordan and Richard Rees discuss what QuickLink does, how it got started, and how it’s expanding out of broadcast into production studios and social media.
Larry Jordan and Bram Desmet discuss new HDR monitors, the importance of Quantum Dot screens for high-quality color, and a long look at where HDR is heading and why Rec. 2020 may not be the best option for HDR monitors.
Larry Jordan and Mark Hudgins discuss DIT file automation, the new Shotput Studio, and current media trends forcing teams to process more data in less time without losing track of it.
Larry Jordan and Lisa Watts discuss what Cree8.io is, why she started it, who it’s for, and how it can save editorial workgroups time and stress.
Larry Jordan and Joey Daoud discuss the impact of AI on media and how he deals with it. Joey then shares what got him interested in tech, how he built his channels and suggestions on how to market a YouTube channel.
Larry Jordan and Abe Apt discuss how AJA projects bridge all the difference devices and protocols involved in media today. Abe also showcases their latest releases and the strengths of AJA products.
Larry Jordan and Shailendra Mathur discuss the latest features in ProTools and Media Composer with a special emphasis on using AI in media, as he emphasizes “responsible AI.”
Larry Jordan and Arie Stavchancky discuss how Dataclay tools connect databases with After Effects to automatically create customized versions of the same A.E. comp. Think of it as “mail merge for After Effects.”
Larry Jordan and Peter Barber discuss how Atomos is providing hardware that links different production gear together: camera monitors, recorders and, now, “Atomosphere,” their new camera-to-cloud technology.
Larry Jordan and Paul Lombert discuss how Hedge tools remove workflow problems throughout the post-production process. Paul explains their latest features and where each tool fits in an editing workflow.
I want to add watermarks to the videos I edit in DaVinci Resolve – but I couldn’t find a “watermark” option. Then, I discovered “Data Burn-in.” Here’s how it works, how to create presets and where to use them.
Larry Jordan and Kylee Peña discuss the latest features in Adobe Premiere Pro and After Effects, how editors today are forced to do more in less time, the role of AI features in Adobe video products, and the important differences between “commercially safe” and “copyrightable.”
Larry Jordan and Dan May discuss BMD’s 36 newest products, with closer looks at Pyxis cameras, ATEM switchers, the role of AI in creative software, and DaVinci Resolve 20.
Larry Jordan and Mike Cavanagh discuss the impact of AI on Hollywood, how studios will use AI to cut staff and expenses, the trend of moving media out of the cloud, and how to future-proof your career.
Larry Jordan and Sam Bogoch discuss media management, new AI-based media search features, finding the clips you need, and the trend to improve privacy by moving assets from the Cloud back onto local storage.
Adobe added more AI features into the latest release of Premiere (25.2), along with a variety of other useful features and bug fixes. Here’s what’s new
The M4 Mac Studio is the ultimate performance tool for video editing. Here are my thoughts on how to maximize performance, without breaking the bank.
I’m recording 65 video interviews at the 2025 NAB Show in Las Vegas next week. Here’s the gear we are using and why I picked it.
Be careful purchasing a USB-C to USB-C cable. If it says “Charging” on the box, it will not work to send data, connect a monitor, or even connect an iPhone. These are for charging devices only. I’ve already been burned three times. Time I learned my lesson.
Apple just released macOS 15.4. It provides a wealth of bug fixes and significant security updates, along with a few new features. Don’t upgrade quite yet. Here’s why.
Back in late, 2022, I asked readers to share how they recorded audio in their productions. Twelve editors responded with photos, gear, and descriptions. Here’s what they reported – photos, gear, and comments.
Tomorrow, Axle AI will make two important announcements for its multi-user, media asset manager: The first improves data privacy in general and the second improves finding the media you need for Mac-based video editors.
Here’s a list of all scheduled industry and thought leader interviews scheduled for the 2025 NAB Show in Las Vegas, NV.
Today, Apple updated Final Cut Pro (v11.1), Motion (v5.10) and Compressor (v4.10). Lots of bugs got fixed, FCP added adjustment layers, and Image Playground is now a feature inside Final Cut and Motion. Here are all the details and related links.
From a recent conversation about radio, I realized there are direct parallels between what is happening in traditional media and the stresses we face as media creators. But, there is also a way for us to successfully compete. Larry Jordan shares his thoughts.
Nothing better defines the current state of the video industry like the annual NAB Show. In this short conversation, Larry Jordan and Michael Kammes, Senior Director of Innovation at Key Code Media, preview what they expect to see.
Axle AI is a media asset manager (MAM) that runs on Mac, Windows and Linux computers. In this short video, Larry Jordan showcases the features of Axle AI and how a MAM can extend the power of video editing software like Apple Final Cut Pro, Adobe Premiere Pro, or DaVinci Resolve.
Finding the exact media clip that you need is only the first step. Now, you need to get that clip loaded into your video editor from wherever it’s stored. In this short video, Larry Jordan, shows exactly how to transfer files from Axle AI directly to remote clients, or into Apple Final Cut Pro, DaVinci Resolve or Adobe Premiere Pro.
Axle AI, a multi-platform media asset manager, provides fast and efficient searches through tens of thousands of clips to find exactly the video that you need. Here, Larry Jordan how how to do searches in Axle AI.
You buy Media Asset Management (MAM) software to extend how your current video editing tool finds and tracks media. But there are a lot of options in the market today. Here, Larry Jordan presents some key questions you need to ask when deciding what to get.
