Here is a fast way to create a sequence with burned-in timecode – very useful for client reviews and revisions. In fact, we can do this in about six steps, as this tutorial shows how.
Here is a fast way to use anchor points in the Motion tab to create motion effects quickly, while saving keyframes.
A while ago, I wrote about how and why to create submixes in Soundtrack Pro. While submixes can be used for reverb, a better way is to use Sends and Busses. This provides greater control and more flexibility than a Submix, but it is a bit trickier to understand.
I want to share with you something I discovered while working with an AccuSys RAID that totally surprised me. This has NOTHING to do with the RAID itself, but having the RAID made it possible for me to discover this.
Sometimes, the best of plans suddenly go awry and you need to remove plug-ins from your FCP 7 system.
Recently, I was asked to give a demo of the latest Boris Continuum Complete plug-in suite at the LA Final Cut Pro User Group, and this is how it works.
Submixes allow us to group audio tracks in Soundtrack Pro. This allows us to apply to adjust the volume, apply an effect, or create separate outputs for a group of tracks. Just as nesting in Final Cut Pro allows us to do things that we can’t using individual tracks, submixes provide the same opportunity to us in Soundtrack Pro. This article shows you how.
