Chapter 3 Video 9 of Final Cut Pro 10.2 Workflow & Editing Training
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Chapter 3 Video 1 of Final Cut Pro 10.2 Workflow & Editing Training
Chapter 2 Video 12 of Final Cut Pro 10.2 Workflow & Editing Training
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Chapter 2 Video 9 of Final Cut Pro 10.2 Workflow & Editing Training
Chapter 2 Video 9 of Final Cut Pro 10.2 Workflow & Editing Training
Chapter 2 Video 8 of Final Cut Pro 10.2 Workflow & Editing Training
Chapter 2 Video 7 of Final Cut Pro 10.2 Workflow & Editing Training
Note: Play video full screen to read screen text more clearly DETAILS Chapter: An Editing Quick Start – Cerf Software: Final Cut Pro X v 10.2
Chapter 2 Video 5 of Final Cut Pro 10.2 Workflow & Editing Training
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Chapter 2 Video 1 of Final Cut Pro 10.2 Workflow & Editing Training
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Chapter 1 Video 1 of Final Cut Pro 10.2 Workflow & Editing Training
Final Cut Pro 10.2 Workflow & Editing Training Outline
In this video training, host Larry Jordan takes you into the studio to illustrate camera angles and how to use them to tell stories with pictures. Specifically, Larry illustrates – using cameras and actors – how the relationship between camera position, lens angle, actor position and depth of field all contribute to the emotional impact of a shot.
In this one-hour video training, host Larry Jordan, takes you deep into the world of 3D space using Motion 5.1. Building on the belief that the best effects are composed of simple steps that combine to create stunning visuals, Larry shows you the building blocks of 3D. In fact, he starts by showing how to achieve killer 3D looks without even using cameras, or lights, or sets.
Whether you use Adobe Premiere Pro or Apple Final Cut Pro X, most of us only think of using Photoshop for still images. But, hidden deep inside the program is a frame-based video repair facility. This means that the same tools we use in Photoshop to fix still images can be used to fix problems with our video, including pixel-based editing.
Join host, Larry Jordan, as he briefly reviews how to use the video scopes, then color grades three different dramatic scenes showing you techniques you can put to work immediately to catch the eye of the viewer. Along the way, you’ll also learn how to copy effects between clips, adjust color settings inside clips, change effects across a range of clips and use third-party plug-ins to do more than Final Cut can do by itself.
January 14, 2014 Interested in learning more about the latest developments and technical advances in storage? So am I! That’s why, as part of my recent “4K & Final Cut Pro X” seminar, I invited industry leader G-Technology to …
January 14, 2014 Wrapping our minds around the process of archiving media can get a bit tricky. To help get a better understanding of the subject, I asked Tim Jones, President of The TOLIS Group, to take part in …
January 14, 2014 What is metadata and how can it help us improve our post-production routine? Philip Hodgetts, President of Intelligent Assistance, gave a terrific panel discussion at our recent “4K & Final Cut Pro X” seminar, where he …
January 14, 2014 Working with stock footage can be one of the most enjoyable or frustrating parts of post-production. That’s why, as part of my recent “4K & Final Cut Pro X” seminar, I was very pleased to welcome …
FCP X: Workflow & Editing Training Chapter 9: Video 10
FCP X: Workflow & Editing Training Chapter 9: Video 9
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FCP X: Workflow & Editing Training Chapter 9: Video 1
FCP X: Workflow & Editing Training Chapter 3: Video 13
