New Articles from Summer, 2016

Summer is a time for taking time away from work. (I’ve often heard that said, but rarely apply it to myself.)

So, to help you catch up on any reading you missed, here’s a list of all the articles I released from June thru August.

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BLOGS

• Update: High-Dynamic Range Media
• A Better Way to Organize Your Media
• 5 Tips to Financing Your Film
• Don’t Undervalue Your 4K Content
• Wandering the Edges of Siggraph 2016
• A Conversation on the Future of Adobe Audition CC
• A “Good News” Support Story about Electro-Voice
• Interview: James Knight, from AMD, about VR and AR
• YouTube Budget, Hollywood Dreams

GENERAL

• Top Ten Editing Mistakes
• Quick Tip: Color Correction
• A Primer: I-frame vs. GOP Compression
• The State of Media Storage for 2016
• Should You Work For Free?
• Analyze a Scene in “The Battle of Five Armies” for Reaction Shots
• Shot Order Affects Viewer Emotions
• Readers Report: How I Archive
• The Lifespan of Flash/SSD
• Why Is My Hard Disk So Slow?
• Which USB Version Does Your Mac Support

FINAL CUT PRO

• FCP X: Color Correct Using “Open in Timeline”
• Transfer Projects Between Premiere Pro CC and Final Cut Pro X
• Unbelievably Cool Secret Import Tip
• Configure Video Scopes
• Color Correct Orange Skin Tones
• Color Correction Shape Masks
• Graduated and Vignette Masks
• Use Masks in Chroma-Keys

MOTION

• An Overview of Modifying Text Titles in Motion 5
• Animate Text on a Curve

COMPRESSOR

• Transfer Compression Settings Between Computers
• Compress Video for Social Media

PREMIERE PRO

• Closed Caption Overview
• New Keyboard Shortcuts
  
• The New Dynamic Link Between Premiere and Audition
• Audio Mixer Sends and Buses
• Share Sequences Between Projects

ADOBE AUDITION

• Move Projects Into and Out of Adobe Audition
• The New Essential Sound Panel

ADOBE MEDIA ENCODER

• Speed Test
• The New Media Browser

PRODUCT REVIEWS

• Edit Ready from Divergent Media
• First Look: Pulsar QC – Quality Control Your Media
• Rampant Edit Essentials
• Xsend Motion for Final Cut Pro X

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