Blog Archives

Understanding how to read the Waveform Monitor and Vectorscope are essential to getting the best possible pictures out of Final Cut Pro. This article gives you an overview of how to read them and what they mean.

Until version 5.1.2, the scopes in Final Cut were notorious for being almost, but not quite, accurate. That all changed with 5.1.2. and they’ve been enhanced in FCP 6. This article provides a more technical discussion on the quality of Final Cut Pro’s scopes, especially in regard to Color.

The video scopes in Final Cut, while accurate, don’t show the entire picture. If you use the scopes in your work, you need to read this warning.