This is a video interview with Jeromy Young, CEO & Co-Founder of Atomos. Jeromy describes his new digital video recording and lighting products, then discusses the current media trends that he’s following.
A video interview with Richard Warburton, Product Specialist for Symply. He describes their company, the storage and file management solution they offer and their latest releases. He also focuses on the challenges to archive the mass of media we are creating each day and how Symply can help.
A video interview with Pierre Jasmin, Founder and CEO of RE: Vision Effects. He describes the latest updates to their visual effects tools, their focus on customer feedback and the key products of his company.
A video interview with Angus Mackay, Product Marketing Manager for Matrox Video. Angus describes Matrox image hardware and technology, their latest announcements and the challenges of displaying high quality images.
A video interview with Alex Ferris. He explains how LucidLink is used for team collaboration, their latest product announcements at NAB, and the benefits to using their service.
A video interview with Steve Wynn-Mozley, Chief Marketing Officer for LiveU.TV. Steve explains how LiveU provides bonded cellular hardware for live remote video, their latest NAB announcements and a detailed explanation of the benefits of bonding cellphone service for live video.
A video interview with Dr. Marc Batschkus, Director of Business Development & Marketing for Archiware. Marc describes their newest releases and the need for high-powered, flexible archiving technology for larger firms.
A video interview with Abe Abt, Senior Product Consultant for AJA Video Systems. Abe shares their news from NAB, along with some intriguing media trends they are watching for the future.
A video interview with Daniel Francis_Lyon, Technical Account Manager for QNAP, about their new, high-speed line of NVMe shared-storage servers.
A video interview with Chris McLendon, Senior Product Manager for Vizrt. Chris presents their latest releases, and provides a description of NDI 6, how it is used and why it is needed. He also introduces Vizrt’s lower-priced line of products: Vizrt Go.
A video interview with Mitch Gross, Global Director of Product Marketing for Aputure, on their range of lighting products, new releases for NAB and the difference between lighting for smaller projects and film.
Michael Cioni, founder of Strada, premieres Strada, an AI-assisted, cloud-based, subscription media search and management tool which enables video editors to do more – faster.
A video interview with David McGavran, CEO of Maxon, on their latest release of Cinema 4D, along with his thoughts on the impact of AI on creative artists.
A video interview with Sean Lee, Chief Strategy and Operations Officer for OpenDrives. He discusses their view that storage technology should be open and configurable, along with their latest releases for the show.
A video interview with Paul Matthijs Lombert, Founder & CEO of Hedge. He describes their range of media utilities and software, what tasks are designed for, and their new cooperative agreement to support Final Cut Library Manager.
A video interview with Linda Tadic, Founder & CEO of Digital Bedrock. She discusses the importance and challenges of long-term data archiving, along with the conflict between AI and sustainability.
A video interview with Bram Desmet, CEO of Flanders Scientific. He shares his comments on the future of HDR displays, new monitor announcements from FSI and thoughts on the challenges of monitoring 12K video.
A video interview with Karen Chupka, incoming EVP of the NAB Show. For 25 years, Karen Chupka ran CES. Now, she takes over the NAB Show reins from Chris Brown. Here she describes her trade show background, her plans for the NAB Show and what makes the NAB Show exciting for her.
A video interview with Chris Brown, EVP of the NAB show for 30+ years. He comments on this year’s show, his strongest memories of the last 30 years and his transfer of the show to Karen Chupka prior to his retirement.
A video interview with Dan May, President of Blackmagic Design – US, where he reveals more than 16 new products at NAB, including a 12K cinema camera, 6K pocket camera, the latest version of DaVinci Resolve and other new hardware.
A video interview with Sam Bogoch, CEO of Axle AI, on their new announcements about Axle AI Media Asset Manager and Axle Cloud, which makes cloud media files searchable using the “Smarter Media” AI Search Service, powered by Backblaze. He also reflects on the impact of AI on media.
Here’s a list of the companies we are interviewing at the 2024 NAB Show along with links to watch them.
A secondary color correction adjusts the color of something in the frame – like changing the color of a shirt. In this short video, Larry Jordan shows how to create these in Premiere Pro.
One of the harder tasks in color grading is changing the look of a clip when the lighting color itself changes during the shot. In this short video, Larry Jordan shows how to use color keyframes to change the color grade during a shot using Premiere Pro.
LUTs are a color lookup table. In this short video, Larry Jordan explains what LUTs are, how to use them to change the color of your clips, and how to properly set the new Color Settings panel in Premiere Pro.
In this short video, Larry Jordan shows how to create and motion track a shape mask to change the color of objects in a frame. He also shows how and why to use the Broadcast Safe effect.
Masks hide things – even in video. In this short tutorial, Larry Jordan shows how to use shape masks and color masks to change the color of objects in a video.
In this short video, I show how to change the color of a single object in a frame. This is called a “secondary color correction.”
Time Machine requires its own storage volume. While you can back up to the cloud, backing up to local storage is far faster and cheaper. But, there’s a trick you can use to make this local backup even better.
In this short video, Larry Jordan illustrates the differences between Paste Effects and Paste Attributes in Final Cut Pro. He’ll also show their impact on keyframe timing.
In this short video, Larry Jordan shows how to use timecode to precisely move around inside a clip or in the timeline in Adobe Premiere Pro.
In this short video, Larry Jordan explains the potential causes of audio drop-outs during video editing. He’ll also provide some ideas on where to look for a fix.
In this short video, Larry Jordan compares the differences between using DisplayPort and HDMI when connecting external computer monitors to your Mac. One is a much better choice.
DaVinci Resolve is a state-of-the-art color tool for video. Whatever you can imagine doing with color, Resolve can do. But, oh. my. goodness. It is complex. Here’s an overview of how to use it.
In this short video, Larry Jordan shows how replacing hard disk drives (HDDs) with solid state drives (SSDs) can significantly improve the speed of your computer, without a lot of extra cost.
In this short video, Larry Jordan explains the key differences between Thunderbolt 3 and Thunderbolt 4.
In this short video, Larry Jordan explains how to configure either Apple Final Cut Pro or Adobe Premiere Pro to use SSDs instead of hard disk drives (HDDs).
In this short video, Larry Jordan demos Smart Collections – which are simply saved searches – in Apple Final Cut Pro.
There are advantages to moving video editing projects between applications. In this video tutorial, Larry Jordan shows how to move an Apple Final Cut Pro project from Final Cut into DaVinci Resolve for color grading, then bring it back to Final Cut for final output.
Hosted by Larry Jordan, “High-tech Medley” presents a variety of new features and new techniques for different software. In this short video tutorial, Larry Jordan shows how to create custom project templates in Adobe Premiere Pro.
Hosted by Larry Jordan, “High-tech Medley” presents a variety of new features and new techniques for different software. In this short video tutorial, Larry Jordan shows how to edit video using text transcripts and the latest features in Adobe Premiere Pro.
Normally, double-system sound needs to be synced before you start editing. But, if that’s not possible, Larry Jordan presents a way to sync clips after they are edited into the timeline.
Larry Jordan suggests some performance and hardware tips to consider when the time comes to upgrade your Apple computer.
With the pace of development slowing for Apple Final Cut Pro on the Mac, here are some of Larry Jordan’s thoughts on what he sees as its future.
This webinar, and excerpt, focuses on video editing, specifically organizing and backing up media, optimizing preferences, and the other small decisions you make at the start of a Premier or Final Cut project. Presented by Larry Jordan.
This webinar focused on video editing, specifically organizing and backing up media, optimizing preferences, and the other small decisions you make at the start of a Premier or Final Cut project. In this short excerpt, Larry Jordan discusses the difference between USB-C and Thunderbolt.
This webinar focused on video editing, specifically organizing and backing up media, optimizing preferences, and the other small decisions you make at the start of a Premier or Final Cut project. In this short excerpt, Larry Jordan presents the routine maintenance you should do with a Mac computer to keep it running smoothly.
Wondering how to improve the speed and performance of your computer – especially for video editing? In this short video excerpt Larry Jordan illustrates how to improve the speed of a video editing computer system by selecting the right storage for your edit.
Wondering how fast your computer is compared to the latest Apple silicon Mac desktops? We have the answers! In this short video tutorial, Larry Jordan measures the differences in computer speed between Intel and Apple silicon Macs when running Apple Final Cut Pro and compressing video.
Wondering how fast your computer is compared to the latest Apple silicon Mac desktops? We have the answers! In this short video tutorial, Larry Jordan measures the differences in computer speed between Intel and Apple silicon Macs when running Adobe Premiere Pro and compressing video.
