Over the weekend, I bought a newly-announced M4 Pro Mac Mini. This article explains what I bought and why. (Updated based on my recent performance tests.)
Last week, Apple announcing a bevy of new Macs: MacBook Pro, iMac, and Mac mini; each using variations of the M4: M4, M4 Pro, and M4 Max. Here are my thoughts on what to know, when to upgrade, and where to spend your money.
In this interview, Larry Jordan and Matt Morgan discuss Ross Video’s expansion into corporate media production, the requirements of live production, and the differences between broadcast and corporate media.
In this interview, Larry Jordan and Tara Montford discuss the 20-year history of Editshare, the stresses in the industry today, and emerging new markets.
In this interview, Larry and Costa discuss how the Telos Alliance got its name, its view of the marketplace and why their tagline is “Love what you hear” and how they make audio better.
In this interview, Larry and Sean discuss what OpenDrives provides, the benefits of the OpenDrives architecture, why storage performance is so challenging, why storage hardware and controller software need to be different, and the industry trend toward the commoditization of storage.
In this interview, Larry and Meghan discuss what CueScript is, their latest teleprompter offerings, and tips on picking the right prompter.
In this interview, Larry and Gary discuss the challenges of accurately tracking camera pan and tilt changes when shooting on an LED volume stage and how Cartoni is providing tripod heads that track this and send it to the computer. As well, Gary shares his thoughts on how to pick the right tripod for your work.
In this interview, Larry and Michael discuss shared storage, and why it is important for NexSan to design, build, test and support their system within their company. As well, Michael explains what storage may be a commodity, but support is not.
In this interview, Larry and Matt discuss remote media access for collaborative editing, the performance issues of accessing media remotely, when to use local cacheing, and announcing LucidLink 3.0 for mobile devices.
In this interview, Larry and Chris discuss the latest products from Vizrt, how their products integrate throughout the entire production chain, the differences between NDI and ST2120, and how remote production is changing the face of production for both large and small companies.
In this interview, Larry and Chris discuss what Panasonic Connect is, the difference between mobile phones and Panasonic’s cameras, and the features required for a camera geared for live events.
In this interview, Larry and Bram discuss the new Quantum Dot technology for HDR monitors, the challenges of bringing prices down, and when is the best time to invest in a high-quality HDR monitor.
In this interview, Larry and Bob discuss Blackmagic’s latest products, the need for – and uses of – a camera that creates 17K images, and his thoughts on the challenges facing today’s media industry.
Here’s a list – with links – to all of Larry’s interviews at the NAB Show New York 2024.
On October 9 – 10, 2024, I recorded thirty 10-minute one-on-one video interviews at the NAB Show in New York City. To do this, I used a mixture of my own gear and rental equipment. Here’s what I used and learned.
I’ve been a fan of Lume Cube lights for a long while now. Last week, I purchased the Studio Panel Lighting Kit, which contains two LumeCube LED panel lights, with tripods and barn doors. Here’s my review.
The Fairlight audio page in Resolve has very sophisticated audio recording capability. But it certainly isn’t intuitive. In this short video, Larry Jordan shows how to record audio narration in Resolve.
The Røde Podcaster Pro II is a beautiful machine, damaged by poor documentation, led astray by poorly-trained and over-stretched technical support, and done in by inadequate attention to audio levels; especially regarding live streaming – for which it was originally designed. It is fine as the front-end to a DAW, but very expensive to use just for that purpose.
When you hear “NAB Show” the first thought that comes to mind is: “What’s New?” The show is legendary for new products. Here’s what Larry Jordan considers the highlights for media creators of the new product announcements at NAB – New York 2024.
Thunderbolt 5 devices are announced. In this interview with Larry O’Connor, CEO of OWC, Larry Jordan explores what Thunderbolt 5 provides, how it works and when we should consider buying into it.
Axle AI today announced Searchr – a new software/hardware bundle providing media asset management for small workgroups, NVMe RAID storage and extremely fast networking for media editors or DITs that fits in a backpack. Here are the details.
While it appears that new computers appear magically out of thin air, the actual process of creating new hardware takes years. Here’s an overview of why Apple (or any other manufacturer) can’t create new products overnight.
A question I get all the time is: “How do I import just a section of a clip? The original is really long and I don’t want to waste disk space.”
Regardless of the video editing software (NLE) you use, the answer is not initially encouraging: “You can’t. Here’s why.
Files stored on hard disk or SSD are always bigger than the original file. Why? Because of “block size.” This article explains what block size is and how it affects storage.
Three years ago, I purchased and reviewed the Stream Deck from Elgato. I thought it was fine – but not particularly helpful to me. Until this week. Suddenly, I’m finding ways where it can save me a ton of time in ways I totally did not expect. So, time to revise my review.
More stories from the early days of video production and video tape. This one from Warren (“Butch”) Nelson.
Virtual production has really changed the way films are made. It’s a major shift that’s redefining the entire industry. In this overview, written by Margo Chelsey, learn how virtual production can benefit your next project.
The TourBox Elite (and its sister TourBox Lite) are well-built control surfaces designed to make using creative applications faster and easier. The hardware will last for years. But their tutorials and “Getting Started” documentation need a lot of work.
Once it’s setup, the OWC Jellyfish delivers on its promise: high-speed shared file access in a portable server to support a local media workgroup of up to six.
Some client, somewhere, is going to feel that their life is not complete unless they shoot their next YouTube ad in 12K. So you’re sitting at your edit station with a pile of drives on your desk containing this 12K opus. Now what? This tutorial has the answers.
As many of us turn to remote production, we face a bewildering array of standards and protocols to move media around the web. This tutorial explains the leading protocols, what they do and who uses them.
The Warm Audio WA-87 R2 is a studio microphone with a great sound. Here’s my review, including an audio comparison between three different narration mics, along with situations where it works – and where it doesn’t. Basically, this sounds better than any other narration mic I’ve ever used. An audio sample is included so you can hear it for yourself.
Apple updated Final Cut Pro for both iPad and Mac last week. While it looks like the iPad version got all the love, there’s more to the story – beneath the surface.
At the 2024 NAB Show, Blackmagic Design introduced the URSA Cine 12K camera. Here’s an overview of what the camera can do and the audience it is designed for.
NAB is a celebration of technology. It’s a celebration of what’s happening right now. But for every one of the companies that exhibits here, it’s also a chance to explore what’s coming in the future. One of the questions I asked as I was interviewing key vendors at the 2024 NAB Show was what are some of the trends that they’re paying attention?
The Lewitt Ray microphone, with Aura technology, is a well-designed, well-built, good-sounding mic that has a sound worthy of its price. The Aura technology works and, for some, will be a valuable mixing assistant. Here’s Larry Jordan’s review.
Here’s a behind-the-scenes look at how we shot interviews at the 2024 NAB Show. This includes gear, people and process.
This is a video interview with Gordon Kapes, President of Studio Technologies. Studio Technologies makes custom audio gear, like language interpreter systems. Here he describes the company and introduces its newest products, plus their support for Dante & ST2110 audio over IP.
This is a video interview with Gregg Haythorn, President & Owner of Portabrace. They make protective cases for field production gear – cameras, lenses, monitors and more. Gregg presents their latest products and explains what makes Portabrace different.
This is a video interview with Matthew Lott, Regional Sales Manager for Pliant Technologies. Pliant makes intercom systems for live events, and introduced several new products at NAB. Matthew also discussed picking an intercom system in today’s crowded wireless spectrum.
This is a video interview with Mark Clementson, Managing Director of Miller Camera Support. In this, he showcases their latest tripod fluid head, illustrates a new “high-rise” monopod and discusses how to pick a tripod.
This is a video interview with Edgar Shane, General Manager of Engineering, Professional Video Media Services, for JVC. In this interview, he discusses JVC’s camera heritage, their new PTZ cameras and the role AI plays in their products.
This is a video interview with Vincent Gabriel Antonini, Business Development Manager for DPA Microphones. Gabriel presents their latest product: a rugged windscreen for very small mics, plus an analysis of audio trends affecting microphone development.
This is a video interview with Peter Marr, Manager of Education, Field & Sales Support for Canon. Here he presents Canon’s announcements for NAB, discusses Canon color science and suggests tips on picking the right camera for your project.
In this video interview with Martin Torner, Content Director for Matthew Studio Equipment, Martin explains what grip equipment is, the latest release from Matthews and how to choose the right gear for your truck.
This is a video interview of Tony Wisniewski, Senior Marketing Manager for Zeiss. Here he showcases their latest lenses, along with explaining what you should look for when choosing or renting a cinema camera lens.
This is a video interview with Elisabetta Cartoni, CEO of Cartoni Professional Camera Support, a company started by her grandfather. Here, she discusses her company, new releases for NAB, and how to pick a camera support.
This is a video interview with Matt Eidenbock, Product Manager at Creative Solutions. Creative Solutions includes SmallHD, Wooden Camera, and Teradek. Matt explains each company, what they make and their latest releases.
This is a video interview with Moritz Meisel, Head of Sales for DoPchoice. He discusses the company’s lighting diffusion products, their latest products at NAB and why diffusion should be part of your lighting kit.
