Apple has improved object tracking in the 10.7 version of Final Cut Pro. While still not perfect, it is much faster and more accurate. Here’s how it works.
Picture This… Imagine clicking a button and having a high-quality, AI-generated image appear directly in your Final Cut or Premiere Pro timeline. It exists. Philip Hodgetts describes the software.
This morning, BorisFX announced a pivotal shift in strategic direction with the 2024 release of Continuum 2024 and updates to CrumplePop audio tools, becoming one of the first in the industry to integrate AI-driven effects into a visual effects plugin.
There is no doubt that we can create effects in Motion that won’t play in real time. But I was impressed that even complex effects with lots of moving elements did not tax an Apple silicon system. At all. Take a look.
Here’s what’s new in the October, 2023, release of Adobe Premiere Pro (v.24), with a link to Adobe’s release notes.
I’m working on a project this week which requires adding a variety of over-the-shoulder images to narration. Since production hasn’t yet occurred, I have two options: Shoot a monitor on set Add the graphics later in post Since shooting a …
3D text is exciting because of its depth and the variety of textures available for each surface. But the real excitement comes when you start to play with lighting. Here’s a simple tutorial on how this works.
One of the hidden challenges in Adobe Premiere Pro is to adjust a color grade during playback. The Lumetri color panel provides tons of color controls, but no way to change them during playback. But, there IS a way. Here’s how.
Lou asked: “Should I partition the internal drive of a Mac to get the maximum speed for video editing?” The answer is no – but not for the reasons you might suspect. Larry Jordan provides the details on maximizing system speed.
For video editors, any M-series Mac computer is a vast improvement over any Intel system. In this detailed review, Larry Jordan looks at setup and performance tests of the M2 Mac Studio computer using Apple Final Cut Pro.
With the 10.6.6 update to Final Cut Pro on the Mac, Apple introduced a new feature called Scene Removal Mask. What this does is remove a static background from behind an active foreground subject. Here’s how it works.
Apple Final Cut Pro provides powerful color tools that improve video. In this short video tutorial, Larry Jordan demos two quick color tricks that fix color casts and make sure skin tones are accurate.
Final Cut Pro provides powerful color tools that improve video. In this short video tutorial, Larry Jordan shows how to keyframe a color correction, plus an easier way to correct white balance problems.
Final Cut Pro provides powerful color tools that improve video. In this short video tutorial, Larry Jordan explains what LUTs are, how they can improve your images, how to use them – and what to avoid – plus, how to create a custom LUT for your next project.
With the 10.6.6 of Final Cut Pro, Apple removed the Fat EQ audio filter. The Channel EQ filter is recommended to take its place. It is even more flexible. Here’s an overview.
Audio is a huge part of any project. In this short video tutorial, Larry Jordan shows how to create audio fades across multiple tracks by setting master track keyframes.
Audio is a huge part of any project. In this short video tutorial, Larry Jordan shows how to create and modify audio transitions in Premiere.
Displaying video full-screen in Adobe Premiere is as easy as pressing a single key. However, for best results, when you have two monitors, this quick tutorial shows how to change preference settings to create a separate view and grading monitor.
Audio is a huge part of any project. In this short video, Larry Jordan presents three techniques you can use to repair problems with your audio.
If you are frustrated trying to make your audio sound better, the Crumblepop AI-assisted audio plug-ins will decrease your stress and improve your audio without requiring an advanced audio degree. And, when it comes to noise reduction, they can do magic.
A reader requested help in creating a video with burned-in timecode so he could send clips to a client for review. Premiere has supported this feature for a long times. Here’s what you need to know.
A reader requested help in creating a video with burned-in timecode so he could send dailies to a client for review. Final Cut has supported this feature for a long time, but, recently Apple changed the process. Here’s what you need to know.
Changing the playback speed of a clip is a fast and easy way to create an eye-catching visual effect. In this short video, Larry Jordan shows how to use the rate stretch tool to create clip speed effects on demand.
There are five different ways to create slow motion video effects in Premiere. In this short video, Larry Jordan illustrates the image quality differences between them.
Changing the playback speed of a clip is a fast and easy way to create an eye-catching visual effect. In this short video, Larry Jordan shows how to create hold frames to pause, then restart, the action.
As AI continues to sweep through creative industries, I was introduced to a relatively new product specifically for video professionals: Colourlab Ai. To learn more, I interviewed Dado Valentic, CEO of Colorlab. Here is our conversation.
Topaz Videa AI, from Topaz Labs, does amazing work deinterlacing and enhancing clips. This is an overview of how it works.
Changing the playback speed of a clip is a fast and easy way to create an eye-catching visual effect. In this short video, Larry Jordan shows the differences in image quality using five different techniques to create slow motion in Final Cut Pro.
Changing the playback speed of a clip is a fast and easy way to create an eye-catching visual effect. In this short video, Larry Jordan shows how to create fast-motion transitions within a clip to move quickly within a scene.
Changing the playback speed of a clip is a fast and easy way to create an eye-catching visual effect. In this short video, Larry Jordan shows how to create a Fit-to-Fill edit in the Timeline.
Topaz Video AI delivers dramatic results, with a great deal of promise for the future. It’s not cheap and not all features work well. But, for the most part, this is an outstanding tool to improve image quality. Here’s my detailed review.
This articles details the performance of the M2 Pro Mac mini, specifically the speed of rendering visual effects and exporting projects in Apple Final Cut Pro and Adobe Premiere Pro. 77 tests were performed and some of the answers are surprising!
Still photographs, slides and digital images are a common component in many video projects. In this short video Larry Jordan shows how to animate their movement, including moving on curves, in Adobe Premiere Pro.
Still photographs, slides and digital images are a common component in many video projects. In this short video Larry Jordan shows how to use Topaz Photo AI to improve the look – and resolution – of still images.
The new 2023 Mac mini is a powerhouse – especially when equipped with an M2 Pro SoC. In this detailed analysis, Larry Jordan looks at the performance of the M2 Mac mini specifically for use editing media in Apple Final Cut Pro.
Still photos, slides and digital images are a common component in many video projects. In this short video tutorial, Larry Jordan shows how to use keyframes inside Final Cut Pro to animate still images using straight lines and curves.
Still photographs, slides and digital images are common in many video projects where editors often need to bring them to life. In this short video tutorial, Larry Jordan shows three simple, AI-based, Photoshop tools to repair still images for video projects.
Still photographs, slides and digital images are a common component in many video projects. From digital photos to maps to old photos, editors often need to bring still images to life. In this short video tutorial, Larry Jordan shows how.
The coordinate system in Motion and Final Cut makes creating effects with multiple images simple – once you understand how it works and how to properly scale the video clips. Here’s a step-by-step tutorial that will help you understand this.
Motion tracking used to work really well in Premiere Pro, but, recently, something broke. In this short video tutorial, Larry Jordan shows what motion tracking is, what’s wrong with it, and provide a workaround you can use until this gets fixed.
Motion tracking effects has long been a feature in Premiere Pro. However, in recent versions, it no longer works reliably. Here’s an outline of the problem and a workaround.
Masks allow us to select a portion of a video image. In this short video tutorial, Larry Jordan shows a variety of ways to use color, shape and draw masks in Apple Final Cut Pro to create visual effects or fix problems.
Chroma-key allows us to make specific colors in a video image transparent. In this short video tutorial, Larry Jordan shows different ways to use chroma-key, which is also called a “green-screen key,” to create useful video effects.
As we increasingly move to hand-held cameras, shaky shots are a fact of life. The Warp Stabilizer effect in Adobe Premiere Pro is a great way to keep your audience involved in your story without them losing their lunch. Here’s how to use it effectively.
Shaky video footage can cause an audience to get motion sick watching your program. Fortunately, Apple Final Cut Pro provides three ways to smooth shaky footage. Here’s an illustrated tutorial on how these work.
“Ask Larry Anything!” is a free-form conversation about video editing technology.In this short tutorial, Larry Jordan illustrates how to read the video scopes inside Apple Final Cut Pro and, by extension, Adobe Premiere Pro, because they share similar scopes. He also provides a table describing where to set skin tones to make people on camera look “normal.”
You need to animate some text. It needs to be flashy. It needs to be colorful. And, most importantly, it needs to be done yesterday. Apple Keynote to the rescue! In this short video tutorial, Larry provides an overview on how to create animated text using Apple Keynote for use in any video editor, such as Final Cut Pro, Premiere Pro or Media Composer.
One of our favorite – and most wide-ranging – sessions returns with “Ask Larry Anything!” Presented by Larry Jordan, this is a free-form conversation based on questions submitted by viewers. In this short video tutorial, Larry shows you how to read the video scopes in Adobe Premiere Pro, then how to use them to match skin tone colors.
In this illustrated tutorial, learn how to animate multiple elements in the same graphic using Adobe Premiere Pro.
Here’s an illustrated tutorial on how to animate multiple elements in a bar graph to illustrate a scientific concept. While this will work with most video editing software, I use Apple Final Cut Pro in this example.
