Blog Archives

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In this interview, Larry and Matt discuss remote media access for collaborative editing, the performance issues of accessing media remotely, when to use local cacheing, and announcing LucidLink 3.0 for mobile devices.

I was thinking about multicams this morning. I had just finished editing my DaVinci Resolve Multicam webinar, so multicam editing was on my mind. I was pondering the differences between multicam in the three NLEs I know the best – Final Cut Pro, Premiere Pro and DaVinci Resolve. It probably won’t surprise you that the answer is: “It depends…”

Thunderbolt 5 devices are announced. In this interview with Larry O’Connor, CEO of OWC, Larry Jordan explores what Thunderbolt 5 provides, how it works and when we should consider buying into it.

OWC just opened the doors to the latest high-speed storage technology: Thunderbolt 5 announcing two groundbreaking products at IBC 2024: the new Jellyfish Studio for editorial collaboration and the OWC Envoy Ultra Thunderbolt 5 SSD.

Axle AI today announced Searchr – a new software/hardware bundle providing media asset management for small workgroups, NVMe RAID storage and extremely fast networking for media editors or DITs that fits in a backpack. Here are the details.

Guest post: Dr. Imed Bouchrika, PhD and BSc, is a Computer Science professor from the University of Southampton, UK, who specializes in eLearning, image processing, and biometrics. (Here are Larry’s rules for guest posts.) Implementing efficient export workflows can save …

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Droplets are great stand-alone mini-apps. Watch folders are fast Compressor automations. Both can speed your work by automating the process of doing the same thing over and over Here’s how they work and which to pick for your work.

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Earlier this week, I wrote an article on how to move media stored in a Library out of that library. But, since writing it, I discovered a much faster way to do this – and one that works both ways. Here’s what you need to know.

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In this tutorial, see how to convert a Final Cut Pro library from one where all the media is stored in the Library to one where all the media is stored external to the library.

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A question I get all the time is: “How do I import just a section of a clip? The original is really long and I don’t want to waste disk space.”
Regardless of the video editing software (NLE) you use, the answer is not initially encouraging: “You can’t. Here’s why.

Files stored on hard disk or SSD are always bigger than the original file. Why? Because of “block size.” This article explains what block size is and how it affects storage.

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More stories from the early days of video production and video tape. This one from Warren (“Butch”) Nelson.

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Regardless of which NLE you use for media editing, you’ve probably suffered through the hassle of relinking media. This tutorial explains what caused it, how to fix it, and how to prevent it in the future.

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Apple Final Cut Pro 10.8 no longer supports DVD burning. However, Apple and Corel teamed up to provide a 50% discount to Roxio Toast for all FCP users. Here are the details.

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Last week, news broke of a change to Adobe’s Terms and Conditions for all Creative Cloud applications granting Adobe a ‘non-exclusive, worldwide, royalty-free sublicensable, license, to use, reproduce, publicly display, distribute, modify, create derivative works based on, publicly perform, and translate the Content.’ What does this mean for the safety of your data?

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Once it’s setup, the OWC Jellyfish delivers on its promise: high-speed shared file access in a portable server to support a local media workgroup of up to six.

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Some client, somewhere, is going to feel that their life is not complete unless they shoot their next YouTube ad in 12K. So you’re sitting at your edit station with a pile of drives on your desk containing this 12K opus. Now what? This tutorial has the answers.

This is a video interview with Alex Schneider, Sales & Marketing for Turtle Case. He highlights their product line of protective media cases for travel or storage and describes what’s new and what’s popular.

This is a video interview will Bill Pieper, Engineer for Promise Technology. Here, Bill describes his company and its latest announcement: a Thunderbolt 5 NVMe RAID. This promises at least twice the data transfer speed of Thunderbolt 3/4.

A video interview with Martin Greenwood, Chief Technology Officer for Yoyotta. Martin explains what Yoyotta provides, why they focus on backups and archiving, their latest releases at NAB and a look at archiving in general.

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This is a video interview with Jeromy Young, CEO & Co-Founder of Atomos. Jeromy describes his new digital video recording and lighting products, then discusses the current media trends that he’s following.

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A video interview with Richard Warburton, Product Specialist for Symply. He describes their company, the storage and file management solution they offer and their latest releases. He also focuses on the challenges to archive the mass of media we are creating each day and how Symply can help.

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A video interview with Dr. Marc Batschkus, Director of Business Development & Marketing for Archiware. Marc describes their newest releases and the need for high-powered, flexible archiving technology for larger firms.

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A video interview with Abe Abt, Senior Product Consultant for AJA Video Systems. Abe shares their news from NAB, along with some intriguing media trends they are watching for the future.

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A video interview with Daniel Francis_Lyon, Technical Account Manager for QNAP, about their new, high-speed line of NVMe shared-storage servers.

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Michael Cioni, founder of Strada, premieres Strada, an AI-assisted, cloud-based, subscription media search and management tool which enables video editors to do more – faster.

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A video interview with Sean Lee, Chief Strategy and Operations Officer for OpenDrives. He discusses their view that storage technology should be open and configurable, along with their latest releases for the show.

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A video interview with Larry O’Connor, CEO of OWC. He introduces new, high-speed CFExpress 4.0 cards, along with three additions to their Envoy SSD product line. He also reflects on the impact of AI on media production.

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Here’s a list of the companies we are interviewing at the 2024 NAB Show along with links to watch them.

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Just because your hardware is fast, does not mean that your software is optimized to take advantage of that speed. Premiere is fast. Your hardware is faster. Here’s a detailed look at real-world editing on Premiere Pro.

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8K is coming. Not today and not tomorrow. But sooner than you expect. To get ready, you should first look to upgrade your storage, then, once it is both big and fast enough, upgrade your computer. Here’s what you need to know.

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The OWC Thunderblade 8 SSD RAID is a silent, well-built, high-speed, high-capacity storage system that is easy to set up, flexible to configure, and designed to last for years. Here’s my detailed review.

Time Machine requires its own storage volume. While you can back up to the cloud, backing up to local storage is far faster and cheaper. But, there’s a trick you can use to make this local backup even better.

There are two key questions we ask whenever we buy storage: How fast does it go and how long does it last? We’ve got a pretty good handle on SSD speeds. Trickier, though, is determining endurance (life-span). Here’s what you need to know.

Two weeks before Christmas, my old Synology server died. Dead. I had all my data safely backed up – but on an expansion chassis that required a functioning server to access. Here’s what I learned in migrating to a new Synology server.

At its simplest, a backup is a copy of a file, generally stored on a separate device, such that if the original file is lost, a current copy is available to take its place. If backups are new to you, here’s what you need to know to protect your data.

Recently, I’ve gotten a lot of email from people trying to capture video from video tape. This used to be easy… but with changes to Adobe Premiere Pro and Apple Final Cut Pro, it has become more challenging. Here’s what you need to know.

For speed, solid construction, ease of use and portability, the OWC Express 1M2 is amazing. Faster than Thunderbolt, about the size of a deck of cards. Fits in your pocket. Oh… and no power brick. Here’s mu review.

This article takes a closer look at improving video editing and computer performance using SSDs and provide specific suggestions on the gear to buy and how to configure your system.

Export segmentation is one of the new features in Final Cut 10.7 that becomes available when you upgrade to macOS Sonoma. This harnesses the power of multiple media engines in Apple silicon chips to accelerate H.264 and HEVC exports in FCP or Compressor. While this makes exports faster, it also has other benefits – and limitations.

In this short video, Larry Jordan shows how replacing hard disk drives (HDDs) with solid state drives (SSDs) can significantly improve the speed of your computer, without a lot of extra cost.

In this short video, Larry Jordan explains how to configure either Apple Final Cut Pro or Adobe Premiere Pro to use SSDs instead of hard disk drives (HDDs).

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Regardless of which NLE you use for editing, we are all looking for ways to make editing go faster. Recently, I discovered an inexpensive purchase that can transform the speed of your existing computer system: An SSD RAID. These charts explain why.

There are a variety of ways to find and rename media in Adobe Premiere Pro, but there is also a significant caution that goes with doing so. Here’s how to find and rename media files.

ProMAX Systems just announced ProMAX NVMe Enterprise, a new NVMe U.3 server specifically designed for video editors. I was intrigued by this new technology, so, I emailed Taylor Hodgetts, VP of Operations for ProMAX, to learn more.

One of the key benefits of Apple silicon computers is the use of Unified Memory. But… what is “Unified Memory,” why is it important, and how much do we need for our work? This tutorial has the answers.

I’m confused. What’s the difference between a “format” and a “codec?” The answer is that sometimes these are the same and sometimes these are different. Here’s a good way to think about these.

There seems to be a problem accessing data stored on ExFAT drives on a Mac with macOS Sonoma installed. Here are details.

This is – potentially – very important: the October, 2023, version of Premiere Pro (v.24) removes support for video tape capture. Here are the details.

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Kevin asks: “Does my current CPU have enough power to run programs like […insert program names here…] or should I upgrade to something faster? The answer is both simple and complex.

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