There are several reasons why you might want to send a project from Premiere Pro to DaVinci Resolve: For example, to create more complex effects in Fusion or more detailed color correction on the Color page. If you do, you also need to know how to get those files there and back.
There are several reasons why you might want to send a project from Final Cut Pro to DaVinci Resolve: For example, to mix the audio in Fairlight or do more detailed color correction on the Color page. If you do, you also need to know how to get those files there and back.
The Fairlight audio page in Resolve has very sophisticated audio recording capability. But it certainly isn’t intuitive. In this short video, Larry Jordan shows how to record audio narration in Resolve.
In spite of our best efforts, all too often we have audio that has problems: too much noise or hum. In this short video, Larry Jordan shows how to use Resolve’s audio effects to fix both those problems.
By reader request, here are almost 100 essential keyboard shortcuts – in PDF form – for DaVinci Resolve 19. Feel free to download a copy for yourself.
I was thinking about multicams this morning. I had just finished editing my DaVinci Resolve Multicam webinar, so multicam editing was on my mind. I was pondering the differences between multicam in the three NLEs I know the best – Final Cut Pro, Premiere Pro and DaVinci Resolve. It probably won’t surprise you that the answer is: “It depends…”
So, just how well does Resolve handle multicam clips? In this tutorial, Larry Jordan decided to see how many 4K video clips Resolve could play in real-time, while still streaming a live webinar, recording that webinar and processing all this media. The answer is pretty surprising.
When working with media clips with matching timecode, the Sync Bin will automatically sync them, then display all matching angles simultaneously. This is a really fast way to build a rough cut, especially with multichannel audio, as Larry Jordan demonstrates.
This was a fun project! I decided to compare how accurately Apple Final Cut Pro, Adobe Premiere Pro and DaVinci Resolve handle tracking shape masks used for color correction. I also included movies so you can judge the results for …
Guest post: Dr. Imed Bouchrika, PhD and BSc, is a Computer Science professor from the University of Southampton, UK, who specializes in eLearning, image processing, and biometrics. (Here are Larry’s rules for guest posts.) Implementing efficient export workflows can save …
In this short video excerpt, Larry Jordan illustrates different ways to trim clips in the timeline. Larry demos both how to trim using keyboard shortcuts and the mouse.
Teaching DaVinci Resolve isn’t the same as using it. For the last three days I edited my weekly webinar in Resolve. This is the first time I’ve used it in years. Here are the highlights of what I learned.
“Ducking” is the process of lowering the audio level of background music or background sounds during dialog. Resolve has a blindingly fast way to do this automatically – without keyframes. It’s called “sidechaining.” Here’s how it works.
Hidden in the Fairlight audio page interface are several tools which can quickly optimize dialog for quality and levels in DaVinci Resolve. Here’s what they are, how they work and how to set them for best results.
Saturation and vibrance control the amount of color in an image. What’s the difference between them and which should you use? This tutorial shows how to use them for video.
AI is causing seismic tremors of fear and loathing throughout the entire creative community. In this short snippet, Sam Bogoch, Founder/CEO of Axle AI, describes what media creators can do to protect their work. There are real threats and real opportunities – and the pace is only going to speed up.
AI is causing seismic tremors of fear and loathing throughout the entire creative community. In this short snippet, Sam Bogoch, Founder/CEO of Axle AI, explains to Larry Jordan whether it’s possible for AI to be trained without violating copyrights or stealing the creative work of others?
AI is causing seismic tremors of fear and loathing throughout the entire creative community. In this short snippet, Sam Bogoch, Founder/CEO of Axle AI, shares his thoughts with Larry Jordan on whether there are any applications where AI can enable us to get our work done, as opposed to replace us?
Artificial intelligence is causing seismic tremors of fear and loathing throughout the entire creative community. So this week I decided to find out what’s real, what’s hype, and what we can do about it by interviewing Sam Bogoch, Founder/CEO of Axle AI.
For professional media creators, the landscape is increasingly complex and demanding. The integration of advanced technologies changed everything. Now, Artificial Intelligence (AI) and cloud computing are not just optional extras but essential tools for staying competitive.
A question I get all the time is: “How do I import just a section of a clip? The original is really long and I don’t want to waste disk space.”
Regardless of the video editing software (NLE) you use, the answer is not initially encouraging: “You can’t. Here’s why.
It is always good to know your audience. So, in July, 2024, I created a survey to learn more about the readers of my “Edit Smarter” weekly newsletter – and, more generally, the tools used by professional media creators. Here are key results.
Regardless of which NLE you use for media editing, you’ve probably suffered through the hassle of relinking media. This tutorial explains what caused it, how to fix it, and how to prevent it in the future.
Understanding what video scopes tell us about our images is essential to creating great looking images; regardless of which video editing software you are using. In this article, I explain the basics of the waveform monitor and vectorscope, how to read them and how they affect color correction.
The TourBox Elite (and its sister TourBox Lite) are well-built control surfaces designed to make using creative applications faster and easier. The hardware will last for years. But their tutorials and “Getting Started” documentation need a lot of work.
Some client, somewhere, is going to feel that their life is not complete unless they shoot their next YouTube ad in 12K. So you’re sitting at your edit station with a pile of drives on your desk containing this 12K opus. Now what? This tutorial has the answers.
AI is having a dramatic impact on media. Larry Jordan interviews key industry leaders at the 2024 NAB Show to learn their opinions on the impact of AI and machine learning. Their answers ranged from fear to hope. Here’s a transcript of the video.
AI is having a dramatic impact on media. Larry Jordan interviews key industry leaders at the 2024 NAB Show to learn their opinions on the impact of AI and machine learning. Their answers ranged from fear to hope.
Michael Cioni, founder of Strada, premieres Strada, an AI-assisted, cloud-based, subscription media search and management tool which enables video editors to do more – faster.
A video interview with Dan May, President of Blackmagic Design – US, where he reveals more than 16 new products at NAB, including a 12K cinema camera, 6K pocket camera, the latest version of DaVinci Resolve and other new hardware.
Here’s a list of the companies we are interviewing at the 2024 NAB Show along with links to watch them.
Last week, I asked readers to write about web services they found useful in video editing. Here are two reports on what works.
In today’s world of digital video, the Broadcast Safe effect (or Video Limiter in Premiere) is gathering dust in a corner. But, there is a BIG benefit to using it when you have a lighting problem to solve, as this tutorial illustrates. This trick works for all the major NLEs.
The shift towards more complex projects requires reevaluating rendering solutions. Integrating cloud-based render farms into VFX workflows requires careful planning and execution. Here’s a detailed guide to ensure a successful transition.
8K is coming. Not today and not tomorrow. But sooner than you expect. To get ready, you should first look to upgrade your storage, then, once it is both big and fast enough, upgrade your computer. Here’s what you need to know.
When it comes to removing backgrounds using a green-screen key, not all video codecs create the same image quality. Here’s what you need to know to shoot and edit the cleanest keys.
Time Machine requires its own storage volume. While you can back up to the cloud, backing up to local storage is far faster and cheaper. But, there’s a trick you can use to make this local backup even better.
Project settings in DaVinci Resolve are significantly different from either Premiere or Final Cut. They are the technical foundation upon which an entire edit is built. Since Premiere and Final Cut don’t behave this way, editors moving to Resolve from other platforms – like me – are going to be surprised. Here’s what you need to know.
There are several security reasons for editing video where the computer is not attached to the Internet. But, if you do, which video editing software will work without the web?
DaVinci Resolve is a state-of-the-art color tool for video. Whatever you can imagine doing with color, Resolve can do. But, oh. my. goodness. It is complex. Here’s an overview of how to use it.
Multicam editing in DaVinci Resolve is not as refined as in Premiere Pro or Final Cut Pro. But, it is still worth learning. Here’s a detailed tutorial on how multicam editing works.
I created a green-screen shot that was impossible to key because the foreground elements kept keying out due to reflections. Here’s how to use a solid matte in Adobe Premiere or Apple Final Cut Pro, or even DaVinci Resolve, to fix this.
There are two key questions we ask whenever we buy storage: How fast does it go and how long does it last? We’ve got a pretty good handle on SSD speeds. Trickier, though, is determining endurance (life-span). Here’s what you need to know.
Yes, Resolve is complex. However, at heart, it’s just like any NLE – and very similar to both Premiere and Final Cut. This covers the basics: startup, import, editing, trimming, audio levels and export.
Recently, I’ve gotten a lot of email from people trying to capture video from video tape. This used to be easy… but with changes to Adobe Premiere Pro and Apple Final Cut Pro, it has become more challenging. Here’s what you need to know.
For speed, solid construction, ease of use and portability, the OWC Express 1M2 is amazing. Faster than Thunderbolt, about the size of a deck of cards. Fits in your pocket. Oh… and no power brick. Here’s mu review.
This article takes a closer look at improving video editing and computer performance using SSDs and provide specific suggestions on the gear to buy and how to configure your system.
Regardless of which NLE you use for editing, we are all looking for ways to make editing go faster. Recently, I discovered an inexpensive purchase that can transform the speed of your existing computer system: An SSD RAID. These charts explain why.
One of the key benefits of Apple silicon computers is the use of Unified Memory. But… what is “Unified Memory,” why is it important, and how much do we need for our work? This tutorial has the answers.
In Apple’s recent introduction of their M3-series chips, the screen shots revealed a hidden story. Apple launched their most powerful computers ever – but Final Cut was nowhere to be found. What happened?
