[jwplayer api_key="kbBMBJTjKc9WLL2/3VpmkSznwdzzqjAKHc08xw==" file="http://d12k2m30k79fse.cloudfront.net/4K_Stock_Sepit.mp4?Expires=1778933553&Key-Pair-Id=APKAIKDB332HYGG7URHA&Signature=l~zZzvTzPISJA5k44rqOAi-hqZNT9OlbeKfudooxQbvqXHWZtgosuqtJzsf9qKwdZ4vGr-nwFGdjJqbM~qiCxsjMDt~ljR~TB3q2-vX08j23T2hf9-7zS~Tk4mWL-Sd~gp9YiavL0mXXhKFyw8OUVaLutYAoqZmiCFKfyrwWGW4_" tracks='{ "file": "https://dev.larryjordan.com/videos_subtitle/", "label": "English", "kind": "captions", "default": true }' height="360" width="640" controls="true" playbackratecontrols="true"]
January 14, 2014
Working with stock footage can be one of the most enjoyable or frustrating parts of post-production. That’s why, as part of my recent “4K & Final Cut Pro X” seminar, I was very pleased to welcome Byba Sepit from Pond5, who helped us better understand stock footage, and avoid and some of the confusion that can arise when attempting to use it. In this panel discussion, Byba shares with us the increasing array of high-resolution stock footage, the quality control process for Pond5’s expansive library of images and much, much more. Enjoy!