Introduction to Fixing Color Problems Using the Video Scopes in Final Cut Pro [v]

Posted on by Larry

[ This is an excerpt from a recent on-line webinar: “Ask Larry Anything!” which is available as a download in our store, or as part of our Video Training Library. ]

EXCERPT DESCRIPTION

“Ask Larry Anything,” is a free-form conversation about subjects related to editing. In this short video tutorial, Larry Jordan illustrates the two key video scopes in Apple Final Cut Pro, how to read them and how to use them to fix color problems like color casts and dark exposure levels.


 

Introduction to Fixing Color Problems Using the Video Scopes in Final Cut Pro

TRT: 18:12 — MPEG-4 HD movie


 

SESSION DESCRIPTION

We restart our fall season with “Ask Larry Anything.” Presented by Larry Jordan, this is a free-form conversation about, well, anything you want to ask. This session is organized into two categories: LTO tape archiving for media and Apple Final Cut Pro. This session covers:

These sessions are always interesting because there is always new stuff to learn!

AUDIENCE LEVEL

These questions span the range from beginner to advanced. Every editor using Apple software can benefit from this session.


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13 Responses to Introduction to Fixing Color Problems Using the Video Scopes in Final Cut Pro [v]

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  1. Larry says:

    Rich:

    Thanks for your kind words. This was a fun session to present.

    Larry

  2. Larry says:

    Jonathan:

    I did a session on RAW and HDR media a while ago. Here’s the link:

    https://larryjordan.com/store/273-using-hdr-media-in-final-cut-pro-x/

    This will answer a lot of basic questions and, hopefully, help you in your editing as well.

    Larry

  3. Larry says:

    Michael:

    Shooting a chart is a great idea. But, putting something gray on set – in the background – is a solid Plan B. By cropping, we can isolate directly on that object to fix any color casts while seeing it under the same set light that your actors are in.

    Larry

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