One of the highlight features in the latest version of Adobe Premiere Pro is the Properties panel. Here’s an illustrated tutorial on how it works.
Templates are simply customized project files for Premiere or Audition that are saved to a specific location, then accessed whenever you create a new project. These can significantly speed your workflow when you are creating similar projects over and over.
In this interview, Larry Jordan and Andrew Takacs discuss the remote production tools QuickLink provides, why they are needed, how they are used, and their new integration with collaborative software like Skype and Teams.
In this interview, Larry Jordan and Tara Montford discuss the 20-year history of Editshare, the stresses in the industry today, and emerging new markets.
In this interview, Larry and Neal discuss the role MPE plays in media post-production around the world, along with the opportunities and challenges of remote production and post.
In this interview, Larry and Phil discuss the mind-bending graphics that Pixotope creates, why it uses the Unreal Engine, and the need for graphic designers – at every level – to find ways to improve on their best work..
In this interview, Larry and Meghan discuss what CueScript is, their latest teleprompter offerings, and tips on picking the right prompter.
In this interview, Larry and Ray discuss Avid’s recent acquisition of WolfTech for newsroom operations, improved support for sharing projects between Media Composer and ProTools, and new trends in automation and “digital first,” meaning files for social media take priority.
In this interview, Larry and Andy discuss Appear’s products for the transport of digital media files – including compression, IP encapsulation, transport, manipulation, and processing – that are all part of the live production process.
In this interview, Larry and Sam discuss Axle’s media management software, optimized for social media, the benefits of using AI without using the Cloud and the key decentralization trend that’s upending media production.
There are several reasons why you might want to send a project from Premiere Pro to DaVinci Resolve: For example, to create more complex effects in Fusion or more detailed color correction on the Color page. If you do, you also need to know how to get those files there and back.
There are several reasons why you might want to send a project from Final Cut Pro to DaVinci Resolve: For example, to mix the audio in Fairlight or do more detailed color correction on the Color page. If you do, you also need to know how to get those files there and back.
By reader request, here are almost 100 essential keyboard shortcuts – in PDF form – for DaVinci Resolve 19. Feel free to download a copy for yourself.
I was thinking about multicams this morning. I had just finished editing my DaVinci Resolve Multicam webinar, so multicam editing was on my mind. I was pondering the differences between multicam in the three NLEs I know the best – Final Cut Pro, Premiere Pro and DaVinci Resolve. It probably won’t surprise you that the answer is: “It depends…”
So, just how well does Resolve handle multicam clips? In this tutorial, Larry Jordan decided to see how many 4K video clips Resolve could play in real-time, while still streaming a live webinar, recording that webinar and processing all this media. The answer is pretty surprising.
When working with media clips with matching timecode, the Sync Bin will automatically sync them, then display all matching angles simultaneously. This is a really fast way to build a rough cut, especially with multichannel audio, as Larry Jordan demonstrates.
“Ducking” is the process of lowering the audio level of background music or background sounds during dialog. Resolve has a blindingly fast way to do this automatically – without keyframes. It’s called “sidechaining.” Here’s how it works.
Droplets are great stand-alone mini-apps. Watch folders are fast Compressor automations. Both can speed your work by automating the process of doing the same thing over and over Here’s how they work and which to pick for your work.
Final Cut provides four interface workspaces, and supports an unlimited number more. In this short video tutorial, Larry Jordan shows how to access workspaces, how to customize them, then how to apply a Finder shortcut to make them instantly accessible.
There is a LOT you can do to customize the Viewer in Final Cut Pro. And it all starts with discovering what the View menu can do.
In this video tutorial, discover how to make the most of Browser settings, including better ways to organize files, create custom metadata, and create projects faster and more easily.
In this tutorial, see how to convert a Final Cut Pro library from one where all the media is stored in the Library to one where all the media is stored external to the library.
Fx badges are hidden in plain sight in every Premiere Pro clip. But, what you may not know is how much they can speed adding and modifying audio and video effects. In this short video, Larry Jordan shows where these are, how they work and the tricks you can put them through.
Adobe continues making video proxies easier to create and more useful. In this short video, Larry Jordan explains how to create proxies and the new custom watermark feature.
Premier Pro stole a very useful audio technique from Audition and added interactive fade handles to every audio clip. In this short video, Larry Jordan illustrates what these are, how they work and when to use them.
Here are five keyboard shortcuts that help make trimming clips in Premiere fly. (Plus an “extra speedy bonus!”)
Adobe updated text and graphic styles in the March, 2024, update. A “style” is a format, like a template, that is applied to text or captions. This tutorial explains how they work.
Roles can now display different colors in an Apple Final Cut Pro 10.8 timeline. This new technique also provides a super-powerful, secret selection trick that can help organize complex projects, and apply effects. This is a trick worth knowing.
Markers are an invaluable navigation and commenting aid in Premiere. My problem with markers is that I can never put them where I want them. Or find them, once I’ve got them put. Fortunately, Adobe added some new features that make working with markers in Premiere Pro a lot easier.
How do lists sort in Apple Final Cut Pro? If you don’t understand the importance of column headers, you can get some confusing results. Here are the details.
Discover the tools that harness AI for seamless VFX integration. More than just Generative AI, these can profoundly amplify your capabilities in visual storytelling. By automating labor-intensive tasks like rotoscoping, texture generation, and object tracking, you can focus more on the creative aspects of your projects.
Three years ago, I purchased and reviewed the Stream Deck from Elgato. I thought it was fine – but not particularly helpful to me. Until this week. Suddenly, I’m finding ways where it can save me a ton of time in ways I totally did not expect. So, time to revise my review.
New effects features in the 10.8 update to Final Cut Pro, when combined with existing effects features, can make your post-production life faster and more consistent. These include renaming custom effects and building effects presets.
This week, Apple released Final Cut Pro 10.8. While this significant upgrade contains multiple new features and lots of fixes, here are the key features and how to use them.
As I was writing about using Auditions in Final Cut Pro to compare different audio clips, I started wondering whether we could use auditions to compare different visual effects. The answer is that we can, but the process is not intuitive. Here’s how this works.
Auditions are a little-understood feature in Apple Final Cut Pro which quickly allow instant comparisons between clips. While comparing video clips is probably the most common use, even more helpful is using Auditions to compare audio clips. Here’s how.
With over 3,035 in-depth tutorials available on my website, it can be tricky to find the one you want. Most often, folks find tutorials on my website using web search engines. However, there is a powerful search engine built into my website that can help you find exactly the information you want faster than using Google. here’s how it works.
Adobe announced new versions of Premiere Pro, Media Encoder, and Audition at the NAB Show in April. Last week, they released them. Here’s what’s new.
The TourBox Elite (and its sister TourBox Lite) are well-built control surfaces designed to make using creative applications faster and easier. The hardware will last for years. But their tutorials and “Getting Started” documentation need a lot of work.
When I was editing my recent NAB Show interviews, I knew that I wanted to create a transcript of the video along with captions. When editing was done, I used Adobe Premiere Pro to transcribe the finished project. Here’s what I learned in the process.
Here’s a behind-the-scenes look at how we shot interviews at the 2024 NAB Show. This includes gear, people and process.
This is a video interview with Matt Eidenbock, Product Manager at Creative Solutions. Creative Solutions includes SmallHD, Wooden Camera, and Teradek. Matt explains each company, what they make and their latest releases.
This is an interview with Jim Jachetta, CTO & Co-Founder of VidOvation. He describes his company and their new connectivity products for NAB. He also tells a great story of how they provide live video from remote sites – like bass fishing in the middle of a lake – with no access to cell or wifi service.
This video interview is with Jon Finegold, Chief Marketing Officer for Signiant. Jon describes the company, what it does and why it is better and faster to use Signiant for large file transfers. He also presents their latest news for NAB.
A video interview with Alex Ferris. He explains how LucidLink is used for team collaboration, their latest product announcements at NAB, and the benefits to using their service.
A video interview with Steve Wynn-Mozley, Chief Marketing Officer for LiveU.TV. Steve explains how LiveU provides bonded cellular hardware for live remote video, their latest NAB announcements and a detailed explanation of the benefits of bonding cellphone service for live video.
Michael Cioni, founder of Strada, premieres Strada, an AI-assisted, cloud-based, subscription media search and management tool which enables video editors to do more – faster.
The shift towards more complex projects requires reevaluating rendering solutions. Integrating cloud-based render farms into VFX workflows requires careful planning and execution. Here’s a detailed guide to ensure a successful transition.
In this short video, Larry Jordan illustrates the differences between Paste Effects and Paste Attributes in Final Cut Pro. He’ll also show their impact on keyframe timing.
In this short video, Larry Jordan shows how to use timecode to precisely move around inside a clip or in the timeline in Adobe Premiere Pro.
