Blog Archives

Posted on by Larry

Audio is a huge part of any project. But, all too often, we ignore the audio to concentrate on the image – only to discover that the emotional heart is missing. In this short video tutorial, Larry Jordan shows how to work with auditions in Final Cut Pro to compare audio clips.

The Whirlwind Micmute PMD has exactly one job – to mute a microphone – but it fails miserably at it. It generates a loud noise spike every time the mute button is pushed. The details are in my review.

Posted on by Larry

The microphone you use for recording audio is more important to audio quality than any cable, plugin, software or hardware you use to record it. Here’s my thoughts on how to make yourself sound better.

Most of the time, you want audio to stay perfectly in sync with the video clip it is attached to. But, sometimes, to get the sync perfect, you need to shift the position of the audio. In this short video tutorial, Larry Jordan shows you how to move a synced audio clip less than a frame to improve sync using Apple Final Cut Pro.

In Final Cut Pro, there are two audio commands that seem similar, but actually do two version different things: Detach Audio and Break Apart Clip Items. In this short video tutorial, Larry Jordan shows you the difference between the two.

Posted on by Larry

accusonus believes that audio effects can be both powerful and easy to use. Supporting all major editing software, the ERA 5 bundle includes 13 plug-ins to fix common audio problems. Here’s a first look at what’s inside.

Posted on by Larry

When you need to KNOW that your audio meets the technical spec, neither Premiere nor Final Cut can help. But Adobe Audition can. Watch as Larry Jordan shows how to use amplitude statistics to make sure your audio has the right levels and is distortion-free.

Posted on by Larry

Audio Design Desk is an amazing program. It creates sound environments quickly and easily. Its ability to replace sounds with similar sounds, without messing up timing or sync is unique. It’s a sound designers dream – once you figure out how it works.

Posted on by Larry

Multicam recording captures an event using multiple cameras. Multicam editing displays all those angles during the edit. In this short video tutorial, Larry Jordan shows how to work with multi-channel audio in a multicam clip using Apple Final Cut Pro X.

Posted on by Larry

This article details what I learned trying to access often corrupted digital images that are 15 – 25 years old. It illustrates the software I use to recover images, video codecs that are obsolete and techniques I used to preserve media for the future. This covers AppleWorks, PICT, PhotoCD, JPEG, TIFF, audio, and video media.

Posted on by Larry

You exported your video file only to find that it is WAAAY too big! Here’s an explanation of file sizes, codecs and media workflow for beginners.

Posted on by Larry

Whether you use Adobe Premiere Pro or Apple Final Cut Pro X for your edit, you can clean, edit and mix your audio faster and better in Adobe Audition. In this excerpt, Larry Jordan shows how to use auto-ducking or, even better, a channel EQ to improve the balance between dialog and music in Audition.

Posted on by Larry

Whether you use Adobe Premiere Pro or Apple Final Cut Pro X for your edit, you can clean, edit and mix your audio faster and better in Adobe Audition. In this excerpt, Larry Jordan shows how to move a project from Final Cut Pro X into Audition for audio clean-up and mixing, then, bring the final mix back into Final Cut for output.

Posted on by Larry

Whether you use Adobe Premiere Pro or Apple Final Cut Pro X for your edit, you can clean, edit and mix your audio faster and better in Adobe Audition. In this excerpt, Larry Jordan shows how to move a sequence from Premiere Pro into Audition for audio clean-up and mixing, then, bring the final mix back into Premiere for output.

Posted on by Larry

Whether you use Adobe Premiere Pro or Apple Final Cut Pro X for your edit, you can clean, edit and mix your audio faster and better in Adobe Audition. In this excerpt, Larry Jordan shows how to fix a popped “P,” called a plosive, and other weird pops and clicks using Audition.

Posted on by Larry

Apple released a flood of small changes with the 10.4.9 update to Final Cut Pro X that didn’t get a whole lot of press. Let me take you behind-the-scenes in this illustrated tutorial to explore these smaller gems.

Posted on by Larry

This morning, Apple released significant – and free – updates to Final Cut Pro X – to version 10.4.9 – along with Motion and Compressor. Emphasizing workflow enhancements, here are the details.

Posted on by Larry

Audio plug-ins do not automatically appear in Adobe Premiere Pro or Audition after you install them. Here’s what you need to do to finish the installation process.

Posted on by Larry

A product review of five powerful Mac-based audio plugins to repair common audio problems that are easy-to-use and deliver great results. They support Final Cut Pro X, Premiere Pro, DaVinci Resolve and are worth adding to your toolkit.

Posted on by Larry

Voice-over work combines acting with technology to create magic. It’s your voice telling stories directly into the imagination of the listener. Here are some tips to make it better.

Posted on by Larry

In this short video tutorial, Larry Jordan shows how to create and use Roles for timeline display and audio mixing in Final Cut Pro X.

Posted on by Larry

A detailed, illustrated workflow on how Larry Jordan creates his weekly webinars from pre-production through to post. This includes software, settings, tips and tricks.

Posted on by Larry

In this short video tutorial, Larry Jordan showcases an easy way to improve the quality of your audio using the Track mixer, key audio effects, and the Loudness Radar in Adobe Premiere Pro.

Posted on by Larry

In this short video tutorial, Larry Jordan shows how to optimize Premiere Pro’s audio meters to improve measuring audio levels during video editing.

Posted on by Larry

In this short video tutorial, Larry Jordan illustrates a variety of ways to find, apply and modify audio and video transitions in Premiere Pro.

Posted on by Larry

Video walls for performances are very popular. Here’s a step-by-step guide on how to create them, using Final Cut Pro X and the Griddy plugin from FXFactory.

Posted on by Larry

Here are the details behind Adobe Audition support for M/S (mid-side) Audio in Adobe Audition.

Posted on by Larry

This morning, Adobe updated Premiere Pro, After Effects, Audition, Character Animator and Premiere Rush. Available today, the updates offer support for Apple ProRes RAW, new creative tools in After Effects, workflow refinements in Character Animator, and performance improvements, such as …

Posted on by Larry

In this short video excerpt, watch as Larry Jordan demonstrates a very fast way to move a project from Premiere to Audition for audio mixing, then back to Premiere for final output.

Posted on by Larry

In this short video demo, watch as Larry Jordan shows how to enable hidden keyboard shortcuts to add, remove and toggle audio fades in Apple Final Cut Pro X.

Posted on by Larry

Simon Says On-Prem is a secure, fast, and easy-to-use transcription system that supports all major NLEs. It’s designed for editors needing a high volume of accurate transcripts with absolute security. Here are the details.

Posted on by Larry

This “cookbook” is designed to provide a checklist on how to quickly create, view and edit multicam clips in Final Cut Pro X, along with links to learn more.

Posted on by Larry

Today, Apple announced that both Final Cut Pro X and Logic Pro X will offer 90-day free trials for all customers. Here are the details.

Posted on by Larry

Live web streaming ranges from the very simple to the highly complex. The key factor is audio. Here’s a summary of options, plus a ton of links to help you do your own research.

Posted on by Larry

Everyone around us is scared, isolated and feeding on rumors. In spite of it all, there’s hope. And we have the technology and the skills to provide it. Ask your clients what you can do to help. Here are some ideas.

Double-system sound is where you record the video on one device (a video camera, for example), while the audio is recorded on a separate device (such as a digital audio recorder). Many DSLR and video cameras don’t have high-quality audio …

Double-system sound is where you record the video on one device (a video camera, for example), while the audio is recorded on a separate device. This illustrated tutorial shows how to sync these different files and get them ready for editing in Apple Final Cut Pro X.

Posted on by Larry

An explanation of what dual-channel mono is, why we use it, and how to work with it in Apple Final Cut Pro X.

Posted on by Larry

An explanation of what the audio settings mean when creating a multicam clip for Adobe Premiere Pro CC, along with recommendations on which settings to choose.

Posted on by Larry

An illustrated tutorial on how to set audio clips in Premiere to dual-channel mono for more control in mixing. Plus, a very cool technique for processing audio clips in a batch!

Posted on by Larry

An illustrated tutorial on how to change audio channels from stereo to dual-channel mono in Apple Final Cut Pro X, how to adjust pan, and how to process multiple clips at once in a batch.

Posted on by Larry

An explanation of why creating the audio track first is essential to creating a successful motion graphic video.

An illustrated tutorial on how to improve the sound of the spoken human voice using EQ filters in Apple Final Cut Pro X.

Posted on by Larry

An illustrated tutorial on how to spot (locate) sound effects using Apple Final Cut Pro X.

Posted on by Larry

An illustrated tutorial of using Roles in Apple Final Cut Pro X to label, organize and display titles and audio clips.

An illustrated guide to improving audio levels in Final Cut Pro X 10.4 using the Limiter effect, roles and compound clips.

Posted on by Larry

An illustrated tutorial on how, and why, to import or export markers from Adobe Audition CC.

Posted on by Larry

A detailed tutorial on the audio and video analysis settings as part of the Media Import window in Apple Final Cut Pro X. Not always accurate, not always fast, but perhaps worth knowing.

Posted on by Larry

A few days ago, Jay sent me a question: “Do you have a video where you cover the difference between ‘expand audio’ & ‘expand audio components?’ And also ‘detach audio’ and ‘break apart clip items?’” I checked and I didn’t. …

Posted on by Larry

An illustrated guide to using the new Punch and Roll feature to record audio ranges in Adobe Audition CC (2019).

← Older posts Newer posts →